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Grand Park Downtown Dia de los Muertos 2020 black background, yellow skull with flame, pink text



Grand Park Altars curated by Self Help Graphics

Self Help Graphics

Since its incorporation in 1973, Self Help Graphics & Art has produced more than 2,000 serigraph editions, including 62 atelier projects and exhibitions all over the world. The organization remains dedicated to the production, interpretation, and distribution of prints and other art media by Chicana/o and Latinx artists; and its multidisciplinary, intergenerational programs promote artistic excellence and empower community by providing access to working space, tools, training and beyond. Now, nearly a half-century later, SHG continues to foster emerging Chicana/o and Latinx artists through its world-class printmaking practice and supports the role of artists as leaders, both within its organization and the community. For more information, visit Follow SHG on Facebook @selfhelpgraphics and Instagram and Twitter @SHG1970.

COMMUNITY ALTAR by Ofelia Esparza and Rosanna Esparza Ahrens
Noche de Ofrenda has become, for me, the highlight of the observances of Dias de Los Muertos because it draws upon the significance of the altar itself; on the ofrendas- the offerings that we place on it with intention to honor, to remember, to contemplate, to reflect, and to celebrate the lives of our loved ones who have passed on. This beautiful observance was initiated at Self Help Graphics many years ago as part of the Day of the Dead celebration, and in tandem with Noche de Palabra. I was asked by Tomas Benitez to make a presentation about the Ofrendas my children and I had been building at SHG. This became a welcomed annual event that called for a more personal, a more quiet- a more spiritual participation in our annual community altar presentation in the upstairs Salon which was always apart from the large annual Day of the Dead celebrations at SHG.

Today, when so many lives have been lost by Covid-19, and so many forms of loss and upheaval have affected our lives, a Noche de Ofrenda gains even more significance to our community. We all need a time for reflection, a time for gratitude and healing, and yes, a time for social awareness as a community. As we honor our loved ones, we remember our ancestors who are always with us, that we are never alone. We are grateful for their legacy of struggle, survival, and resilience, for their stories, their love of family and culture, and their determination to provide a better life the next generations.
This Ofrenda is dedicated to all our loved ones we wish to remember- to our ancestors-and symbolically, to those who died through violence and racism, and to those who have lost their lives through wars and political oppression. Spiritually, we honor the lives and all other living beings lost through the forces of Nature.

– Ofelia Esparza October, 2020

Noche de Ofrenda se ha convertido, para mí, lo más destacado de las observancias del Día de los Muertos porque se basa en el significado del altar en sí; en las ofrendas que ponemos en él con la intención de honrar, de recordar, de contemplar, de reflexionar, y de celebrar las vidas de nuestros seres queridos que han partido. Esta hermosa observancia fue iniciada en Self Help Graphics muchos años atrás como parte de la celebración del Día de los Muertos, y a la par con Noche de Palabra. Tomás Benitez me invitó a hacer una presentación acerca de las Ofrenda que mis hijos y yo habíamos construído en SHG. Esto se convirtió en un bienvenido evento anual que hacía un llamado a una participación más personal, más silenciosa- más espiritual en nuestra presentación anual del Altar Comunitario en el salón del segundo piso, la cual siempre era parte de las celebraciones anuales del Día de los Muertos en SHG.

Hoy en día, cuando tantas vidas se han perdido por el Covid-19, y tantas formas de pérdida y agitación han afectado nuestras vidas, una Noche de Ofrenda gana aún más importancia en nuestra comunidad. Todos necesitamos un momento para reflexión, un momento para gratitud y sanación, y sí, un momento para un despertar social como comunidad. Mientras honramos a nuestro seres amados, recordamos a nuestros ancestros que siempre están con nosotros, que nunca estamos solos. Estamos agradecidas por su legado de lucha, supervivencia, y resiliencia, por sus historias, su amor por la familia y cultura, y por su determinación para proveer una mejor vida para las próximas generaciones.

Esta Ofrenda está dedicada a todos nuestros seres amados que queremos recordar – a nuestros ancestros – y simbólicamente, a aquellos que murieron por violencia y racismo, y para aquellos que han perdido sus vidas en guerras y opresión política. Espiritualmente, honramos las vidas y todos los seres vivientes perdidos por las fuerzas de la Naturaleza.

– Ofelia Esparza, 2020 octubre

Ofelia Esparza is an artist and educator from East Los Angeles where she was born in 1932. Esparza, a retired elementary school teacher from LAUSD, has been an artist since childhood. Esparza started making public altars at Self Help Graphics & Art in 1979, where she is best known as an “altarista” for Day of the Dead. It is at SHG where she learned and developed a body of work in printmaking. Her work reflects her spirituality and her Mexican indigenous heritage. Ofelia credits her mother’s influence in observing the mysticism and dignity of the natural world. A great portion of Esparza’s work honors womanhood. This is what inspires not only her ofrendas, but all facets of her art endeavors.
Along with her daughter, Rosanna Esparza Ahrens (b. 1961) – also an altarista and graphic designer, they consider themselves cultural facilitators, conducting workshops and lectures at schools, colleges, community venues and presently, in the women’s corrections facility, California Institute for Women (CIW). In 2017, Ofelia and Rosanna were cultural advisors to the Pixar Movie “COCO”. In 2018, because of her cultural work as an altarista. Ofelia was named a 2018 National Heritage Fellow by the National Endowment of the Arts in Washington DC. In 2019, the Esparza’s were featured in the PBS’ ARTBOUND Series: Season 10, Episode 3, “Dia De Los Muertos”. Also in 2019, she and her daughter were invited to create an altar for Day of the Dead at the Smithsonian National Museum of the America Indian in Washington, D.C.

Black Lives Matter – Los Angeles
This altar honors the victims listed on The site is inspired by Ida B Wells’s Red Record, and is aimed to expose those who murder our people. The data on the site spans from 2013 to the present.

Este altar honra a las víctimas enlistadas en El mestá inspirado por el Récord Rojo de Ida B Wells, y está destinado para exponer a aquellos que asesinan a nuestra gente. Los datos del sitio abarcan desde el 2013 al presente.

We are unapologetically Black in our positioning. In affirming that Black Lives Matter, we need not qualify our position. To love and desire freedom and justice for ourselves is a prerequisite for wanting the same for others. We are guided by the fact that all Black lives matter, regardless of actual or perceived sexual identity, gender identity, gender expression, economic status, ability, disability, religious beliefs or disbeliefs, immigration status, or location. We see ourselves as part of the global Black family, and we are aware of the different ways we are impacted or privileged as Black people who live in different parts of the world. We acknowledge, respect, and celebrate differences and commonalities.

We work vigorously for freedom and justice for Black people and, by extension, all people. We intentionally build and nurture a beloved community that is bonded together through a beautiful struggle that is restorative, not depleting. We make space for transgender siblings to participate and lead. We are self-reflexive and do the work required to dismantle cisgender privilege and uplift Black trans folk, especially Black trans women who continue to be disproportionately impacted by trans-antagonistic violence.

Building Healthy Communities Boyle Heights: Health Happens with Prevention Group
We are honoring the community members we have lost due to the pandemic, and the folks still living that need mental health support. We will be directing people to learn more about mental health issues and services.

Estamos honrando a los miembros de la comunidad que hemos perdido a causa de la pandemia, y a las personas que aún viven y necesitan apoyo de salud mental. Estaremos dirigiendo a la gente a aprender más acerca de servicios y problemáticas de salud mental.

Health Happens with Prevention is a coalition of organizations and community members dedicated to advocating for preventative health services in Boyle Heights, with a focus on mental health.

Community Power Collective
We honor Workers and Tenants from our base: Street Vendors, Farmers, Mariachis, Members of the Fideicomiso Comunitario Tierra Libre

Honramos a Trabajadores e Inquilines de nuestra base: Vendedores Ambulantes, Agricultores, Mariachis, y Miembros del Fideicomiso Comunitario Tierra Libre

We exist to building power with low-income tenants and workers through transformative organizing to win economic justice, community control of land and housing, and to propagate systems of cooperation in Boyle Heights and greater Los Angeles region.

Consuelo G. Flores
This altar honors the students of Ayotzinapa, who were murdered in Mexico and victims of murder in Los Angeles. What connects these two groups is that their murders have never been solved. I’ll also be remembering my parents and brother Ben, who all taught me the importance of social justice and the value of life.

Estoy honrando a los estudiantes de Ayotzinapa que fueron asesinados en México, así como a víctimas de asesinato en Los Ángeles. Lo que conecta a estos dos grupos es que sus asesinatos nunca han sido resueltos. También estaré recordando a mis padres y a mi hermano Ben, quienes me enseñaron la importancia de la justicia social y el valor de la vida.

A multidisciplinary artist from ELA, Consuelo G. Flores creates beautiful altars, extraordinary paper fashions, intimate poetry, dynamic spoken word and impactful one-act plays. She received Self Help Graphics’ 2017 Legacy Artist Award & a 2018 Honorable Mention from the Irvine Fine Arts Center. She has an MFA in CNF from Antioch University and is included in the upcoming anthology Fieldnotes in Allyship. She has written & directed seven one-act plays which were produced in Los Angeles and Dubai and gives lectures on the celebration of Dia de los Muertos to students and public audiences. She was recently featured in an Los Angeles Times article on her experience during the Chicano Moratorium of August 29, 1970. She’s currently a Director in the Equity & Inclusion Department of SAG-AFTRA and lives with her husband in West Adams area of Los Angeles.

Corazón del Pueblo – Xochitl Palomera

Huei Micailhuitl: Ceremony of Death

Honoring All Womxn (BIWOC, Children, Trans Womxn, Femmes & LGBTQ+) whose lives have been taken as a result of femicide & gender-based violence. Honoring Tonantzin, Nuestra Madre Tierra, Mother Earth which over 4 million acres burned this year in California, and continues to burn. Violence against Womxn is violence against Mother Earth. Patriarchy perpetuates the killing of Womxn and Mother Earth, and bear the weight of femicide and exploitation. This altar is an ancestral guide, a Camino de Fuego, representing the burning mountains. A road made of fire that leads Macehualli (La Gente / The People) to the altar. The altar is filled with offerings honoring all Womxn and Children and is surrounded by Cempuaxochitl representing the fire that calls and guides us to the altar. The Cempuaxochitl is also the Camino Florido, guiding our ancestors to the altar where we will meet in ceremony to listen to the Femmecestors speak. The Tonanas, Abuelas, Grandmothers are saying: “To Kill our Mother is to Kill her Children is to Kill the Source of Life.” Patriarchy and Capitalism must be abolished. Our Mother is on fire. Her children will inherit ashes and will learn to use those ashes to make Spirulina, the source of life and begin a new cycle. That new cycle is where all Macehualli are free! Where we can be Black. Where we can be Indigenous. Where we can be Trans. Where we can be Womxn. Where we can be children. Where we can be safe. Respected. Honored. Empowered. Where we can ALL be AUTONOMOUS & FREE. We call on our ancestors to help us do this heart-work and DECOLONIZE. We invite you to join us in this ceremony of abolishing oppressive systems and co-creating our Decolonial Liberation.”

Huei Micailhuitl: Ceremonia de la Muerte
Honrando a todes les mujeres (Negras, Indígenas, Niñes, Mujeres Trans, Femmes y LGBTQ+) cuyas vidas han sido arrebatadas como resultado de Feminicidio y Violencia de Género. Honrando a Tonantzin, Nuestra Madre Tierra, quien ha sufrido la quemazón de más de 4 millones de hectáreas este año en California, y continúa ardiendo. La violencia contra las Mujeres es violencia contra la Madre Tierra. Es aparente que el Patriarcado perpetúa la matanza de Mujeres y de la Madre Tierra. Las Mujeres y Tonantzin cargan el peso del Feminicidio y la explotación. Este Altar es una guía ancestral, un Camino de Fuego (Representado a las Montañas en llamas). Un camino hecho de fuego que nos guía a nosotros, Macehualli (La Gente), al altar.
El altar está lleno de ofrendas para honrar a todes les mujeres y niñes y está rodeado de Cempuaxochitl, representando el fuego que está llamándonos y guiándonos hacia el altar. Los Cempuaxochitl son también el Camino Florido que guía a nuestros ancestros al altar, en dónde nos reuniremos en ceremonia para escuchar a las Ancestros Femeninas hablar. Las Tonanas, Abuelas, están diciendo: “Matar a nuestra Madre es matar a sus Niñes, es matar la fuente de la Vida”. El Patriarcado y Capitalismo debe ser abolido. Nuestra Madre está en llamas. Sus hijes heredarán cenizas y aprenderán a usar esas cenizas para hacer Espirulina, la Fuente de la Vida, e iniciar un nuevo ciclo. Ese Nuevo Ciclo es ¡Dónde todos los Macehualli son Libres! Donde podemos ser Negros. Donde podemos ser Indígenas. Donde podemos ser Trans. Donde podemos ser Mujeres. Donde podemos ser Niños. donde podemos estar seguros. Respetados. Honrados. Empoderados. Donde TODOS podemos ser AUTÓNOMOS Y LIBRES. Llamamos a nuestros ancestros cuando necesitamos ayuda para hacer este trabajo del corazón y DECOLONIZAR. Les invitamos a unirse a esta ceremonia de abolición de sistemas opresivos y a co-crear nuestra liberación Decolonial.

Xochitl Palomera is an Educator who focuses on Intergenerational- Healing, Trauma-Informed Care & Decolonizing. She grew up in South Central L.A. Her passion for Social Justice, Cultural Arts, Ancestral knowledge and Wellness inspires her to create cultural connections with community members through reclaiming Ancestral ways, creating spaces to build community & connecting people to valuable resources for community empowerment.

Diana Alvarado // Monica Lopez // Tecpaxochitl // Margaux Hernandez // Alejandra Liera // Joel Rosales //Maritza Torres // Rebecca Nuñez // Belen Velasquez // Claudia Itzel // MarquezIreri Bernal // Jimmy Saldivar // Sarahi Perez // WOC Sister Collective // Chichihualli LA 

East Los Angeles Women’s Center Youth
We are honoring those who we have lost to domestic and sexual violence in our community and beyond. We hope to remind folks that there is help and support available for those who are experiencing or have experienced these forms of violence and that they are never alone. We want survivors to know that their silence is heard.

Estamos honrando a aquellos que hemos perdido por violencia doméstica y sexual en nuestra comunidad y más allá. Esperamos poder recordarle a la gente que hay ayuda y apoyo disponible para quienes están experimentando o han experimentado esos tipos de violencia y que nunca están solas. Queremos que los sobrevivientes sepan que su silencio es escuchado.

The mission of the East Los Angeles Women’s Center is to ensure that all women, girls and their families live in a place of safety, health, and personal well-being, free from violence and abuse, with equal access to necessary health services and social support, with an emphasis on Latino communities.

Eastside LEADS
This altar is dedicated to Eastside communities who despite the adverse history of segregation, inequitable planning, and disinvestment from the public and private sectors that have plagued their communities; they have grown strong roots of resilience and community activism which continues to this day. This Altar is in honor of all who have transitioned due to COVID-19 and our ancestors whose healing practices continue to bring comfort to us today.

Este altar está dedicado a las comunidades del Este, quienes a pesar de la historia de segregación, planeación injusta, y desinversión por los sectores públicos y privados que han plagado a sus comunidades; han crecido raíces fuertes de resiliencia y activismo comunitario que continúa hasta hoy. El Altar es en honor a todos los que han transicionado a causa de COVID-19 y para nuestros ancestros, cuyas prácticas de sanación continúan brindándonos confort hoy en día.

Eastside LEADS is a coalition of tenants, youth,and community based organizations who are fighting displacement in the Eastside of Los Angeles through policy and organizing. We are fighting for development and investment that benefits existing residents, not development that displaces us. Our roots are deep and proud and we will preserve our communities through our collective work.

Jackie Amezquita & Julio César Toruño

On November 1st of every year, the people of both Santiago Sacatepéquez and Sumpango, Guatemala, put together giant kites to fly or show during the Day of the Dead. This cultural tradition in Guatemala is not only an art exhibition through the creation of kites, but it is also an ancient way of connecting with our ancestors. It’s believed that the kites fly to communicate with the spirits of their loved ones.

The six kites installed honor the children who lost their lives in ICE detention centers.

Jakelin Cal Maquin 7 years old from Guatemala.
Felipe Gomez Alonzo 8 Years old from Guatemala.
Carlos Gregorio Hernandez 16 years old from Guatemala.
Wilmer Josue Ramirez 2 1/2 yerl old from Guatemala.
Juan de Leon Gutierrez 16 years old from Guatemala.
Darlen Cristobel Cordova Valle from El Salvador.

El 1ro de Noviembre cada año la gente de Santiago Sacatepéquez y Sumpango, Guatemala, construyen cometas gigantes para volar o mostrar el Día de Muertos. Esta tradición cultural de Guatemala no solo es una exhibición de arte a través de la creación de cometas, sino también una manera ancestral de mantener la conexión con nuestros ancestros. Es creído que los papalotes volarán para comunicarse con los espíritus de nuestros seres amados.

Los seis cometas que construímos honran a los niños que perdieron sus vidas en centros de detención de ICE.

Jakelin Cal Maquin 7 años de Guatemala.
Felipe Gomez Alonzo 8 años de Guatemala.
Carlos Gregorio Hernandez 16 años de Guatemala.
Wilmer Josue Ramirez 2 1/2 años de Guatemala.
Juan de Leon Gutierrez 16 años de Guatemala.
Darlen Cristobel Cordova Valle de El Salvador.

Jackie Amézquita (b. 1985) is a bi-national artist/activist. Amézquita was born in Quetzaltenango, Guatemala, and migrated to the United States in 2003. Amézquita’s work explores the psycho-socio-geographical and political interactivity. As a result of her experiences as an immigrant woman, her practice has been influenced by her relationship to borders and the interaction with different cultures around the world. The artist has incorporated the use domestics and construction making techniques to explore a visual language that rebalances the power of socio-political relationships. This practice has allowed her to intertwine historical and contemporary references.

Julio cesar Toruño, (b.1993) in Matagalpa Nicaragua, is a biracial and binational artist working and living in Los Angeles. Toruño’s multidisciplinary practice works to unpack colonialization on the self, and social fabric of society. His work utilizes materials of labor, and historically recognized forms of cultural production, to hold a conversation about navigation and healing of the colonized psyche.

Mi Estori: Artist Collective

It is reported that nearly 1 in 5 hate crimes stem from homophobic and transphobic sentiments. The hatred felt for the LGBTQ+ community can be deadly and often leads to the highest murder rates in the country. However, hate crimes are not the only thing that LGBTQ+ people are dying from. LGBTQ+ people of color are twice as likely to avoid going to the doctor, 20-40% folks experiencing homelessness are LGBTQ+, 27% of LGBTQ+ people experience food insecurity, and it is reported that transgender individuals have twice the unemployment rate.
The intersections of undocumented LGBTQ+ people further complicates these statistics as they may not have the same access to resources and experience a higher rate of sexual assault and murder. The intersections of gender also contribute to discrimination as 21.2% of LGBTQ+ individuals also experience higher negative treatment when accessing reproductive health services. The statistics presented show that the communities’ suffering is rooted in hatred for the LGBTQ+ community. In 2020, we lost many people to the deadly COVID-19 and we have many LGBTQ+ people who were not counted because their sexual orientation and gender identity was not accepted and respected. We ask that heterosexual and cisgender allies use their privilege to help LGBTQ+ people in all issues that impact us and stand with us when trying to better our community.

Es reportado que casi 1 de cada 5 crímenes de odio son a raíz de sentimientos homofóbicos y transfobicos. El odio que es sentido por la comunidad LGBTQ+ puede ser mortal y muchas veces conduce a los más altos índices de homicidio en el país. Sin embargo, los crímenes de odio no son la única cosa de la que están muriendo las personas LGBTQ+ porque es sabido que las Personas de Color de la comunidad son propensas a evitar ir al doctor, del 20-40% de la gente sin techo son LGBTQ+, 27% de las personas LGBTQ+ experimentan inseguridad alimenticio, y es reportado que los individuos transgénero tienen el doble de la tasa de desempleo.
Las intersecciones de la gente LGBTQ+ que son indocumentados complica aún más estas estadísticas, ya que ellos no tienen el mismo acceso a recursos. Las personas LGBTQ+ indocumentadas experimentan índices más altos de abuso sexual y homicidio. Las intersecciones de género también contribuyen a la discriminación, ya que el 21.2% de individuos LGBTQ+ experimentan más tratamiento negativo al accesar servicios reproductivos. Las estadísticas presentadas muestran que el sufrimiento de la comunidad está enraizado en odio hacia la misma. En el 2020 perdimos a mucha gente por el COVID-19 y hay mucha gente LGBTQ+ que no fue contada porque su orientación sexual e identidad de género no fueron respetadas y aceptadas. Pedimos que los aliados heterosexuales y cisgénero usen su privilegio para ayudar a la gente LGBTQ+ en todos los problemas que nos impactan y alzarse con nosotros mientras mejoramos a nuestra comunidad.

Mi Estori was founded in 2017 by Erick Villegas-Nuñez and Charlie Ruiz Vazquez. Mi Estori was created in order to take space in predominantly white, cisgender, heterosexual, and able-bodied creative spaces and create spaces for creatives that are queer, trans, people of color, and people with disabilities.

South Central Farm
Honoring plant resilience, food justice and the role of land use in our food systems.

Honrando la resiliencia de las plantas, justicia alimentaria y el rol de la tierra en nuestros sistemas de alimentos.

The South Central Farm aims to promote the establishment and preservation of green and open space in South Central Los Angeles, a community where green and open space is rare, as well as promote urban farming, public health, and effective participation in the planning of developments that intimately affect every one of the residents that reside nearby.

Grand Park’s Downtown Día de los Muertos Public Art Installations

Location: Jerry Moss Plaza at The Music Center

Soul Survivors
curated by Kahlid Jefferson
Featuring Naliah Howze, Damien Carter, Andrew Quesada

2020 has been a year of collective trauma for everyone. However, racial disparities related to the COVID-19 pandemic coupled with the continuous injustices against Black citizens have made it especially difficult for Black people. How does the Black community collectively heal in the face of systemic racism, and a virus that disproportionately affects people of color? 

In this exhibition, Soul Survivors, Los Angeles native photographers Nailah Howze, Damien Carter, and Andrew Quesada explore the meaning of healing in the black community. Historically Black America has developed unique ways of overcoming hardships. The braiding of hair, the natural synchronicity of song and dance, the unity in protest, the creativity of cooking Soul Food, the powerful connection created through worship. Images that serve as literal and metaphoric testaments of resistance. The three photographers layout a cohesive visual essay that highlights the process of perseverance. 

Organized by Khalid Jefferson, Soul Survivors brings together images that evoke empathy and collective healing. The printed photos will be treated with quotes and resources for seeking mental health advice.


Nailah Howze
Photographer Nailah Howze has a knack for making everyday people look like royalty. There’s a personal touch to her images that reflects the beauty and raw honesty of the Black experience in America. Through her lens, Nailah transforms flaws into strength and insecurities into confidence. She’s shown a particular affinity for shooting Black women, highlighting relatable characteristics that translate to extraordinary attributes when captured in a still image. Nailah’s photos serve as positive affirmations for a community always under-represented and often misunderstood. The power of her freelance portrait work is equally present in her commercial fashion photography as well. Nailah’s clients include Adidas, Puma, L’Oreal, Sony, Apple, Maxim, R&B star Kehlani, Sean “P. Diddy” Combs, and the late great Nipsey Hussle. She was awarded Teen Vogue’s “Photographer of the Week,” and was the 2017 winner of the Nook and Kranny “Photographer of the Year” award. Nailah continues to distinguish herself as one of the most promising photographers in Los Angeles.

Damien “SlauCienega” Carter
West Los Angeles street photographer Damien Carter has spent his years capturing candid images of local Black culture. A native Angeleno, Damien is affectionately known to many in the L.A. arts community as “SlauCienega” (a hybrid moniker adopted from the Slauson & La Cienega intersection, where he resides). Damien’s friends often joke about him rarely traveling north of Wilshire, but jokes aside SlauCienega is a guardian of the community. He approaches his work with a sense of protectionism. Although Los Angeles is one of the largest metropolitan areas in the United States, Damien considers his L.A. (west of the 110) to be “very tiny, and continuously shrinking in the face of gentrification.” He documents the city’s Black culture as a preservationist with unwavering authenticity. Whether shooting album covers for the city’s most relevant artists, framing lowriders set against a palm tree skyline, or capturing the raw emotion of protestors at community gatherings, Slauceienega’s images speak volumes. Black voices are loud and clear in his work.

Andrew Quesada
Andrew Quesada fell in love with the art of photography as a curious kid growing up in Los Angeles. His father nurtured Andrew’s natural inclination towards film and photography. At age 6 Andrew was given his first professional camera, a 35mm Minolta SR2 film camera. At age 22 Andrew tattooed the Minolta SR2 on his left arm. Not only a symbol of commitment to his craft, the Minolta SR2 is the inspirational source behind Andrew’s cinematic aesthetic. As his generation began to establish itself in the Los Angeles arts community Andrew began to find his own voice as an artist. During “The Blog Era,” he captured some of L.A.’s most iconic music artists including Kendrick Lamar, Frank Ocean, Miguel, DOM KENNEDY, and Jansport J. Whether shooting models or musicians, Andrew’s work remains true to capturing authentic artists with unique identities. The city of Los Angeles is his ever-changing backdrop. 

Healing Sanctuaries
by Dancing Diaspora Collective
Photographed by Bobby Gordon

Dancing Diaspora Collective (DDC) is dedicated to honoring the embodied practices of
Black and Brown people from around the world through dance and healing practices. We will be drawing upon our own practices rooted in body-base and ancestral healing aiding us to gather,release, and shift from a body + mind lense. Healing Sanctuaries are powerful images of us and our personal sanctuaries: altars, movement, meditation, hierbas, and more that intertwine with the profound powers of nature. It is an invitation to our communities to investigate, play, and experiment with their own healing practices. What is your Sanctuary/ Qué es tu Santuario?

Photographed artists:
Isis Avalos
Jose Richard Aviles
Patricia “Patty” Huerta
Veline Mojarro
Erica Rey
Tatiana Zamir

Special Papel Picado
by Maricela Sosa

Papel picado is the traditional art of cutting elaborate designs into pieces of delicate tissue paper. The tradition of papel picado originated in the 19th century in San Salvador Huixcolotla, Puebla when paper from China was imported to Mexico. By the 20th century, the craft had spread throughout Mexico. Artisans craft papel picado by stacking 50 to 100 sheets underneath a template and then use special chisels and hammers to carve the designs. Papel picado is used for a variety of celebrations, not just Dia de los Muertos. It all depends on the imagery used. Calaveras, skeletons, candles, marigolds, names of loved ones, and cultural and religious icons are typically present in papel picado made for Dia de los Muertos. On traditional altars or ofrendas, the four elements – earth, water, fire, wind – are represented and papel picado represents the element of air.

Maricela Sosa is a self-taught artist working in Northeast Los Angeles. She works mainly with children teaching drawing, painting and mixed media art classes. Maricela is also a paper cutter working in the Mexican style known as papel picado. She learned this traditional folk art by watching and working with her mother, master papel picado artist Margaret Sosa. Papel Picado is the Mexican style of paper cutting in which tissue paper is cut into intricate designs that are then glued on a string and used to decorate festive events and to adorn altars.

Digital Programs

Bike Ofrenda Workshop
by Sandra de la Loza

Watch Los Angeles based artist Sandra de la Loza convert her bike into a mobile ofrenda in the spirit of Día de los Muertos. This is a fun, easy, and family-friendly workshop that invites you to be creative with materials that you have at home. Make paper calacas, decorate your wheels with handmade spokes, and altars on handlebars or a cargo rack. Then go on a bike ride through the city and honor your ancestors.

Sandra de la Loza is a Los Angeles artist and educator whose research-based practice investigates the underlayers of our present landscape as a means to decolonize, heal ancestral trauma, and to create circles that enable other social and environmental relations to happen. Her work has been exhibited in major museums, alternative art spaces, and community centers within the United States, Latin America, and Europe.

Self Help Graphics 47th Annual Día de los Muertos Virtual Celebration, Featuring Noche de Ofrenda segment with Grand Park

Featured artists:

endy bernal
endy trece is an intermedia community artist. Her performance and visual work is rooted in her indigenous cultural traditions, and branches out through her intercultural ceremonials, exchanges, study and travel. Butoh is a strong influence in her work, as she has studied with Semimaru of Sankai Juku, as well as Yoshito Ohno among other butoh masters in Japan.

Her art practice includes creating an installation about an ecological or social issue in public space and performing a dance sequence in it for 4-6 hours. The intention of her practice is to provide inspiration to look within, contemplate and discuss important issues.

She has performed throughout California, Texas and New York as well as in Mexico, France and Japan. She earned a Bachelor of Science in Social Science, and is a National Association of Latino Arts & Culture Advanced Leadership  Institute Alumni.

As an arts and culture leader, she is one of the co-founders of TONALLI STUDIO in East Los Angeles and has been a part of the Board of Directors at Pacto Latino and the Centro Cultural de la Raza in San Diego. She is currently the president of the Board of Directors at Self Help Graphics and Art in Tongva Territory (aka Los Angeles). 

Gloria Enedina Alvarez: Chicana poet/intermedia artist, playwright, librettist, literary translator and curator, presently teaches creative writing and works as a consultant in public schools, universities, libraries, museums, and art centers. Her literary/artistic efforts have been recognized by the CAC, National Endowment for the Arts, Cultural Affairs Department, City of L.A., COLA Award, Poets & Writers, Inc., National Latino Arts Network, MAESTRO Award, among others. She has published and read widely in the U.S., Latin America and Europe. Her plays and librettos for opera, Los Biombos, Cuento de un Soldado/Story of a Soldier, El Niño, have been produced locally and internationally. Her books of poetry in English and Spanish include La Excusa/The Excuse and Emerging en un Mar De Olanes and spoken word/music c.d.s , Centerground and Between Epiphanies. Her poetry has been published in various anthologies and numerous periodicals internationally.

Starting at a young age, and for the past 35 years, he has performed in various and diverse bands, ranging from North American Western influenced to Blues, Rock and Roll, Punk Rock, Jazz, and everything in between. His multi-genre musical fluidity has allowed for expansion and experimentation with diverse sounds and tones, leading him to exploratory projects, that merged the different cultural music genres of World music. Living in the 90’s During the late 90’s, along with Angel Garcia, Hernandez co-founded the much-heralded and pioneering music project Mezklah. Mezklah embodied and marked the evolution of the new burgeoning sound of L.A., with their unique hybrid electronica tunes, set to local cultural sounds and rich tribal overtones, resulting in a distinctive and completely new sound. They have been described as a very intelligent mixture of traditional Latin music, alternative rock, jungle, reggae, dub, and drum-andbass. With an innovative presence that included, among other things, performance art, Mezklah had a sound and stage presence that was truly unparalleled and artistic, gaining the reputation as “one of L.A.’s most powerful and promising alt-Latino bands.” (Los Angeles Times). Mezklah took their sound internationally, touring in Latin America, Europe and Japan. Most notably, Mezklah played to a crowd of 20,000 at Mexico City’s La Feria del Libro festival. They also went on to open for notable acts such as Ozomatli, Kinky, Maldita Vencidad , Antibalas and has worked with Ry Cooder during time of his conceptual album Chavez Ravine.

Greg “Goyo” Hernandez has worked with Johnny Avila of Oingo Boingo producing music for San Diego band Marujah for Latin Grammy Nomination and most recently of Dec of 2019 working a new indie Documentary politicized around the military complex waste of native lands of Tuscon Arizona. During this time Greg Hernandez Teamed up tv commercial with Danny Haro actor of the movie American Me and now producer and director. Music and the Theatre From 2010 to present, Hernandez has continued his musical trajectory as a hired musician and performer, who has also expanded his creative outlets to include writing and recording with various notable bands in Los Angeles, San Diego and New Mexico. As an enthusiast for Soundscape theatre and story-telling, Hernandez finally found the opportunity to merge all his collective musical experience with his passions, resulting in the film scoring and writing of original music composition for the Latinx (using Latinx is optional, some people like it others don’t, but Latino could also then be Latina/o) comedy film, Lola’s Love Shack. Produced by Migrant Film Works and distributed by Indican Pictures in 2013, Lola’s Love Shack won the Audience Award at the Reel Rasquache Film Festival and was screened at various film festivals internationally. That same year, Hernandez went on to compose another original film score for the comedy web series Monkeyfunkles. Music as a Mode of Empowerment Maleco Collective For Hernandez, music is not only a way to emotionally connect with his audience, he also understands it to be a universal language, whose frequency and sound can help stir thoughts, ideas and awaken positive vibrations as a way to convey imagination. Music as an evocation of the human spirit, a mode of empowerment, but also as a vehicle to support visual and spoken expressions, be it within a cinematographic sphere, spoken word, live theatre, or any other space and art production in which sound and music are elemental components of a collaborative venture. Since Current Pandemic Greg Hernandez has been working remotely from the home studio recording, writing,arranging original musical concepts along writing a travel blog called “Goyo on the Go” to inspire, escape and educate of recent past backpacking travels throughout South East Asia past three years between being active on the Los Angeles Music Scene. As of Oct 2020 Greg “Goyo” Hernandez has again recorded with San Diego’s hardest working border band Marujah which in 2018 is credited with guitar work on the album “UpRising” produced by Johnny Avila of Oingo Boingo that won best album by San Diego Music Award’s and won a nomination in Latin Grammys 2018. During the Pandemic Marujah has won the accolade of being 2020 SDMA winner again with great projections for the upcoming 2021 Latin Grammy’s and as always humble to lend helping hand.

Danza Divina de Los Ángeles is the work of Indigital Productions, an L.A. based multimedia production company. Our mission is to elevate Danza Azteca onto the world stage, while preserving tradition and elevating the design of Aztec dance. Danza Divina de Los Angeles is an intergenerational dance troupe under the direction of Jeniffer Sanchez. DDLA blends mesoamerican myth with contemporary urban stories using traditional dance, instruments and modern technologies.

Jeniffer Sanchez is a Los Angeles-based artist, danzante, choreographer, director, producer and founder of Indigital Productions. At age 9, she began studying and performing traditional Danza Azteca with renowned Aztec Dance Pioneer, General Lazaro Arvizu. Her artwork operates at the intersection of performance art, theatre, multimedia and Mesoamerican traditions. Her newest work, “Exploring the Gods,” is an all-woman, multimedia, Aztec Dance performance that introduces seven different Aztec deities.  Exploring the Gods is the introduction to a work in progress called “La Ofrenda”, which is an adaptation of the Aztec creation story of the 5th Sun.

Performance description:

Opening– Blessing of the space- this is done with copal we turn to the four directions, the sky and earth. This is done to acknowledge and give thanks to all of the elements and to clear the space of any unwanted energy. This ensures a good dance and is done before all our dances. 

Guajito– (small gourd)this dance is dedicated to water.  It will be done by Doreen Sanchez, she will be in a traje (regalia) representing the water goddess  Chalchiuhtlicue. 

Guerrilleros– warrior dance, will be done by Valerie Estrada (8yrs old) and Emily Estrada (12yrs old). These young ladies are cousins. This will be followed by a short procession around one of the dancers that died in battle. 

Muerte– this dance is dedicated to Mictlantecihuatl, the goddess of the underworld and is performed by  Jeniffer Sanchez. This dance depicts Mictlantecihuatl convincing the recent dead to follow her to Mictlan. 

Itzpapalotl– is a dance dedicated to the obsidian butterfly, who aids the woman who dies giving birth. This dance will be done by Brit Rios, Emily Estrada, Sara Graeff and Isabella Estrada (5 yrs old). 

GRAND PARK’S OUR L.A. VOICES 2020 Photography Installation

The End of an Era: Union Swap Meet’s Last Days
by Samanta Helou Hernandez

The swap meet is a mythic place in Los Angeles. In the ‘90s and early 2000s, it’s where kids in Black and brown neighborhoods bought fits for school: Pro Club white tees, Dickies, Nike Cortezs, and gold nameplates. These in-door markets were a hangout very much like the malls of white America. 

Back then, South Central swap meets were often the only place that sold West Coast rap mixtapes. The Compton Fashion Center was featured in both Tupac and Kendrick Lamar videos. When it closed and became a Walmart, it was as if a piece of Compton had been erased.

Swap meets are much more than an affordable place to shop. They’re where neighborhoods create community, re-affirm identity, and build collective memories. They’re historical landmarks. But as the city changes, people are displaced, and younger generations shop online, the swap meet’s days are numbered.

This is the story of one such place: Union Swap Meet in East Hollywood. 

Joo Lee opened Union Swapmeet on Vermont and Santa Monica Blvd. in 1986. He modeled the concept on ones from his home country of Korea that allowed multiple people to own businesses in one place.

For merchants, the rent was more accessible than a traditional brick-and-mortar, and it attracted new immigrants who wanted independence—but didn’t have the capital for a larger enterprise.

At the height of Union Swapmeet in the ’80s and ’90s, lines of people would wait to shop at 70 different stalls.

Families sent money to their home countries and bought clothes, toys, and pets. They could get acupuncture, a haircut, tailor clothes, eat, and buy alternative medicines from Mexico, all in a day.

Latino radio stations held events, mariachis played, and there were even car giveaways. Latinos and Koreans, hundreds and thousands of miles away from home, spoke their native languages. A trip to Union Swapmeet was an all day affair.

Naturally, friendships formed. Kids who grew up going to the swap meet with their families, later took their own children. Some patrons went on first dates here and others even met their spouses. 

Joo retired four years ago, leaving Union Swap Meet in the care of his two daughters and son-in-law.

The Lees adapted to the changing demographics of the neighborhood by repainting the exterior with murals of long-time vendors and even added an Instagrammable set of wings. They threw pop-ups and a heavily attended Hong Kong-style night market and tried to fill some stalls with Etsy vendors.

It wasn’t enough.

The Lees struck a deal with Koreatown developer Jamison Services to demolish the market and turn the property into a seven-story residential and retail complex.

Throughout 2019,  customers continued to trickle in to pay their cell phone bills, buy jewelry, and visit longtime friends.

Vendors at Union didn’t plan to move to another swap meet after the closure. To them, it’s a futile attempt. They understand they’re a dying breed.

What follows are the voices of the longtime merchants that remained that year.

Olga Avila originally from Michoacan, Mexico. Owner of Incense, Arts, and Crafts at Union Swap Meet since 1986: 

“When I first opened, this was a music store. I sold all kinds of music like merengue, salsa, cumbia, punta, soca, ranchera, nortena, balada, everything. My customers were from  Mexico and Central America. I had to have something for everyone.

When one first arrives in this country, it’s easier to go to a swap meet and be able to speak your own language than going to a mall and having to speak English.

It’s a place where Latinos can feel like they’re in their own country. They don’t feel so sad, because when you leave your country, it’s a sad thing. You feel alone.

It has changed a lot. Now there is almost no one. All the young people who are born here go to the malls.

I’m a little sad. I spent many years here. My children grew up here, my grandchildren grew up here. My daughter has a stall here. It is very painful to leave it.

All the time I spent here was very beautiful. I got to know many people. I got to know their stories from joys to sorrows, everything.”


“Cuando yo abrí esta era una tienda de música. Vendía de todo tipo de música merengue, salsa, cumbia, punta, soca, ranchera, norteña, balada, todo. Escogía de todo porque venía gente mexicana y Centroamericana. Entonces tenía que tener un poquito de todo para todos gustos.

Cuando uno llega a este pais es mas fácil ir al swap meet donde puedes hablar tu idioma en lugar de ir a un mall donde tienes que hablar inglés.

Es un lugar donde Latinos se sienten en su país. No se sienten tan mal, porque cuando uno deja su país, es algo triste. Te sientes triste.

A cambiado muchísimo. Antes había más gente ahora ya casi no hay.

Estoy un poquito triste. Tengo muchos años aquí. Mis hijos aquí crecieron, mis nietos aquí crecieron. Y mi hija tiene un local. Es muy doloroso dejarlo.

Todo el tiempo que pase aquí fue muy bonito. Conviví con mucha gente. Conocí muchos sentimientos de muchas personas, tristezas, alegrías, de todo.” 

Francisco Gutierrez, originally from Guatemala. Owner of F&G Shoe Repair at Union Swapmeet since 2000: 

“I’m from Guatemala. I repair all kinds of shoes, women’s bags, luggage, leather jackets. I learned this in my country, when I was 8 years old. My mother made me learn this work. I know how to manufacture the entire shoe, not just repair it. I am 65 years old now.

I wanted to become independent and be my own boss, that’s why I’m here. Thank God I’m doing very well.

This job cannot be done online, so I still have customers. If this were just retail, I would have left, because it is easier to buy online.

I have a lot of American customers now, before it was only Latinos that came here. 

A lot of swap meets are disappearing. I think once this closes I’ll look for a place outside. I do not plan to close. The swap meet gave me a lot of life. It has given me everything—a way to survive, everything.”


“Yo soy de Guatemala. Reparo toda clase de zapatos, bolsas de mujer, las luggage, las chamarras de piel. Yo aprendí en mi país a los 8 años mi madre me puso a aprender el trabajo. Yo sé hacer el zapato completo no solo reparación. Tengo ahorita 65 años.

Me quise independizar y ser yo mi propio jefe por eso estoy acá. Gracias a dios me va muy bien.

Esto no lo pueden hacer por internet por eso sigo con clientela. Si fuera esto solo ventas, ya me hubiera ido.

Tengo mucha clientela americana y antes era puro Latino.

Ya se están acabando muchos swap meets.  Yo creo que buscaré un local afuera. No pienso cerrar.

El swap meet me dio mucha vida. Me ha dado de todo. Como sobrevivir, de todo. ”

Lilia Ochoa, Michoacan, Mexico. Owner of Travel Latino Express at Union Swapmeet since 2004: 

“The majority of my clients are from Mexico. Many are from Durango and Oaxaca, but I also have many from Guatemala. What I do most is send money.

When Trump first won, my clients sent and sent money. They took their money from the bank because of all the changes that were happening. They were afraid of being deported and so they sent the money.

My clients come with the illusion of helping out their families back home and building their houses. That is why they come and work so many jobs so they can send money and finish their houses back home. And then they return to their home countries. Those stories are very common in this type of business.

It’s very nice because sometimes they tell me their stories, they tell me their lives, about how they left children back home. They feel trust in me and maybe that keeps them coming back.

I like to take care of people. I like listening to them.

I do feel nostalgia about the swap meet closing, but these are the changes of life and you have to accept them. Everything has an end, right? What can we do?” 


“La mayoría de mis clientes son de México. Hay muchos de Durango y Oaxaca, pero también tengo muchos de Guatemala. Lo que más hago es envió de dinero.

Al principio que ganó Trump mandaban y mandaban dinero. Sacaban su dinero del banco por todo el cambio que pasó. Tenían miedo que los deportaran y entonces mandaban el dinero.

Mis clientes vienen con la ilusión de ayudar a sus familias en sus países y construir sus casas. Por eso vienen, agarrar dos tres trabajos para mandar y mandar y terminar sus casas. Y después se regresan a su pais. Esas historias son muy comunes en este tipo de negocio.

Es muy bonito porque a veces me cuentan sus historias, me cuentan sus vidas, que dejaron hijos allá. Sienten yo creo confianza en mí. Y eso tal vez los hace que sigan viniendo.

Me gusta mucho atender a la gente. Me gusta mucho escucharlos.

De repente si siente uno nostalgia que se vaya a cerrar el swap meet, pero son cambios de la vida y hay que aceptarlos. Todo tiene un final verdad? ¿Qué podemos hacer?” 

Casey Yoo, originally from Korea. Owner of Easy Alterations at Union Swap Meet since 2015: 

“When I retired a doctor, I was bored so I thought this would be a good way to spend time. I’m also a background actor.

I’ve owned this business for four years now. I took over because the previous owner passed away. But this stall has been here since 1986.

The original owner of the swap meet is actually from my hometown in Korea. We graduated middle school together. When I started this 4 years ago, I realized I knew him.

The tailor is my friend. He has over 40 years of experience. I do the cutting and trimming, and he sews.

I heard when this swap meet first opened it was very busy but people from Mexico and El Salvador they don’t come here anymore so business is down.”

But alteration is still a busy business and so is shoe repair because it’s a good service at a cheap price.

This building will be torn down and rebuilt. I hope I can come back, because the first floor will be commercial.”

Sonia Gomez, originally from Mexico City, Mexico DF Mexico. Owner of Naomy’s Hair Salon at Union Swap Meet since 1997: 

“The majority of my clients are Latinos and Filipinos. A lot of Americans are coming to this neighborhood, but they don’t enter the swap meet.

Until now, my business has not been affected. Thank God it hasn’t. It will affect me when they close this. I have many clients that have been coming here for many many years.

They are taking a lot of Latinos out of here. A lot of my clients lived around here but they kicked them out. That’s what’s going to happen to this whole area. They are going to Americanize this bit. In the building next door, they gave people money to move out of their apartments but they still come here. They come from places as far as Hesperia.

For me the hours go by when I’m working. I forget the clock. This is where I live my life. I love to see that people leave happy, that they feel different with a haircut. They leave with more self esteem. And I’m happy that they leave happy.

Since I was 7 years old, I used to say that I wanted to curl hair and look here I am curling hair.”


“La mayoría de mis clientes son latinos y filipinos. Está llegando mucho americano a esta vecindad, pero al swap meet no entran. Aquí no entran.

A mi hasta ahorita no afectado mi negocio. Gracias a dios no. Lo va afectar cuando ya me cierren. Tengo muchos clientes de muchos muchos años y siguen viniendo.

Pero están sacando mucho a los Latinos. Toda esta área es lo que va a pasar. Van a americanizar este pedacito. Aquí alrededor eran mis clientes y a todos los sacaron. Les dieron dinero para que se salieran de los apartamentos de aquí al lado y todavia vienen hasta acá. Hasta vienen desde Hesperia.

Para mí se me pasan las horas y sin comer. Y sin acordarme del reloj. Aquí se me va mi día y mi vida. Me encanta ver que la gente sale contenta, que se sienten diferente con un corte de pelo. Se sienten con más auto estima. Y me quedo contenta que se vayan contentos.

Yo desde que tenía 7 años decía que quería hacer chinitos y mira estoy haciendo los chinitos.” 

Christian Lopez owner of City Pets at Union Swap Meet:

“I’m from Los Angeles, but my parents are from Guatemala. I opened this up when I was 18. I like animals, so it’s kind of like a passion and a business at the same time.

I’ve been coming to this swap meet since I was maybe three or four years old, because I grew up in the area. I actually have pictures of me as a kid when we would come and visit the swap meet and buy jewelry. When we would visit, I would buy animals without my mom noticing, and I would hide them until we got home.

I went from having one small 500 square feet locale to having four little spots. The next step I think for me would be to get an actual brick-and-mortar location.

I have customers that come in here, and I’m like a therapist to them. They’ll talk to me not just about their animals but about family. It’s a community based business. You’re serving the community.

The swap meet is a dying industry. The products that we have in here don’t cater to the people that are in the neighborhood now.

But swap meets are important, because they preserve culture and preserve history. They service the community. It holds for people an emotional part. They’re unique.”

In March of 2020, all remaining vendors left and the swap meet officially closed. A locked fence kept hopeful shoppers out as they walked by trying to visit one last time.

Signs from vendors hang on the market’s exterior announcing their new locations. Inside, the stalls are empty. The once bustling swap meet stands desolate awaiting the tractors that will tear down each wall, one by one.

All that will remain of the market are the cherished memories of the vendors who opened their first businesses here, of the second generation kids, now adults with their own children, who remember spending weekends shopping with their families, and of the immigrants who found a sense of comfort and familiarity speaking their native language, listening to cumbia, punta, and merengue, and building a community with fellow shoppers and vendors. They know the new development is not meant for them, and when construction ends, the neighborhood they’ve called home for decades will be even more unrecognizable.

Visual art segments of Grand Park’s Our L.A. Voices are made possible by Jardín deLArte

Coronavirus Updates

July 1, 2021

Please be advised there are no live events or fireworks for Fourth of July this year.

Grand Park is open during regular operating hours (5:30 AM – 10:00 PM). Please continue to practice safety protocols: wear a mask, wash your hands, and physically distance at a minimum of 6 feet. The current status of amenities until further notice:

  • Dog run: Open
  • Picnic tables: Open
  • Playground: Open
  • Restrooms: Open by Starbucks (off Grand Ave.)
  • Splashpad: Open
  • Starbucks: Open. For more information on hours, click here.
  • Event Lawn (between Spring and Broadway): Open

For the weekly list of trucks please click here.

February 12, 2021

Grand Park is open during regular operating hours. The current status of amenities until further notice:

  • Dog run: closed
  • Picnic tables: closed
  • Playground: closed
  • Restrooms: open by Starbucks (off Grand Ave.)
  • Splashpad: closed
  • Starbucks: open. For more information on hours, click here.
  • Event Lawn (between Spring and Broadway): closed

There are no in-person events at this time.

Lunch a la Park food trucks are onsite for lunch takeout only, in Olive Court, near Starbucks. For the weekly list of trucks please click here

December 30, 2020

Please be advised that there is no in-person event for NYELA this year. Grand Park’s NYELA takes place virtually on December 31st, starting at 11:00 PM Pacific Time, on Fuse TV cable network, Fuse YouTube, Grand Park’s YouTube, and Music Center Offstage.

Have a safe New Year’s, and enjoy the show from home. Thank you!

December 15, 2020

Grand Park is open during regular operating hours. The current status of amenities:

  • Dog run: closed
  • Picnic tables: closed
  • Playground: closed
  • Restrooms: open by Starbucks (off Grand Ave.)
  • Splashpad: closed
  • Starbucks: open. For more information on hours, click here.
  • Event Lawn (between Spring and Broadway): closed

Lunch a la Park food trucks are onsite for lunch takeout only, in Olive Court, near Starbucks. For the weekly list of trucks please click here

Thank you for continuing to practice safety measures: wearing a mask, washing your hands, and staying home if you’re not feeling well.

Please note that Grand Park’s NYELA is a television event this year. There is no in-person gathering at the park for New Year’s Eve. Please celebrate safely at home and tune in to Fuse TV, Fuse’s YouTube, or the Grand Park YouTube channel for the livestream.

October 24, 2020

Grand Park is open during regular operating hours for Grand Park’s Downtown Dïa de los Muertos in partnership with Self Help Graphics. From October 24 – November 4, eleven public art installations are featured, including the Community Altar created by master altarista Ofelia Esparza, Rosanna Esparza Ahrens and family.

There are no live, in-person performances or gatherings for Downtown Día this year. Given COVID-19 public safety requirements, the public is asked to not gather or linger in large groups, leave their own ofrendas, or touch the Community Altar this year. The altars will feature a 360-degree viewing opportunity to maximize social distancing among guests.

September 16. 2020

General update:

Grand Park is open during regular operating hours (5:30 AM – 10:00 PM). The Event Lawn (between Broadway and Spring) and its amenities are closed temporarily for maintenance.

Here is the current status of amenities:

  • Dog run: closed
  • Picnic tables: closed
  • Playground: closed
  • Restrooms: open by Starbucks (off Grand Ave.)
  • Splashpad: closed
  • Starbucks: open. For more information on hours, click here.

Lunch a la Park food trucks are onsite for lunch takeout only, in Olive Court, near Starbucks. For the weekly list of trucks please click here

Programs and events have shifted to online until further notice, based on guidelines from LA County Dept. of Public Health.

August 3, 2020

Grand Park is resuming the Lunch a la Park Food Trucks program, to serve local employees and park guests. Grand Park, along with our vendor partners, are practicing the following safety protocols:

  • All staff must wear appropriate PPE at all times in the park – masks and gloves
  • Any staff exhibiting symptoms of Covid-19 must stay home
  • No physical hand-out menus are allowed
  • All utensils must be in pre-wrapped packages to minimize contact
  • Condiments must be in individual, single-serving packages
  • Cash-free payment is strongly recommended and encouraged. Vendor partners are strongly encouraged to make best efforts to minimize contact in ordering and payment, shifting to mobile or pre-ordering if possible.
    • If a card is used, it must be disinfected after handling
    • Mobile, contactless, or pre-orders is the preferred method
  • Sneeze barrier between customers and staff
  • Disinfectant wipes/sanitize must be provided at touchpoints (drink counter, utensil dispenser, etc)

All food truck patrons and guests, please practice safety protocols as well:

  • Wear a mask
  • Wash your hands
  • Practice social distancing of at least 6 feet apart

Let’s be kind and take care of each other!

Grand Park

July 22, 2020

General update:

Grand Park is open during regular operating hours (5:30 AM – 10:00 PM). Here is the current status of amenities:

  • Dog run: open
  • Picnic tables: closed
  • Playground: closed
  • Restrooms: open
  • Splashpad: closed
  • Starbucks: open. For more information on hours, click here.

Onsite programs and events have shifted to online until further notice, based on guidelines from LA County Dept. of Public Health.

Please continue to practice safety measures when in the Park:

  • Wear a mask
  • Maintain a minimum of 6 feet physical distance from others
  • Stay home if you feel sick or exhibit any symptoms of Covid-19

Thank you for your continued patience and understanding. Let’s continue to take care of each other, L.A.


July 3, 2020

Regarding 4th of July:

Grand Park is open during regular operating hours (5:30 AM – 10:00 PM). However, there is no July 4th event and no fireworks for the holiday. We encourage you to stay home and enjoy our virtual program:

Grand Park + The Music Center’s 4th of July Block Party: Home Edition will be on TV and online this year. Tune in:

If you decide to visit Grand Park, please practice physical distancing of at least 6 feet, wear a mask, and please stay home if you feel sick or exhibit any symptoms related to COVID-19.

April 10, 2020

Hi L.A.,
in alignment with LA County Parks, Grand Park will be closed on Easter Sunday, April 12th. While parks are a favorite location to celebrate Spring holidays, the closure is part of ongoing efforts to slow the spread of COVID-19. Let’s continue to take care of each other and keep each other safe.

¡Hola Los Angeles! En alineación con los Parques del Condado de Los Ángeles, Grand Park estará cerrado el Domingo de Pascua, 12 de Abril. El parque estara cerrado para proteger nuestras comunidades de la propagación de COVID-19

Love always, siempre con ustedes ❤️
Grand Park


March 20, 2020

Dear L.A.,

As you may already know, on March 19, the County and City of Los Angeles issued the “Safer at Home” public order, “ordering all residents of the City of Los Angeles to stay inside their residences, and immediately limit all movement outside of their homes beyond what is absolutely essential … in an effort to stem or slow the spread of COVID-19 within the greater Los Angeles community.” This order includes curtailing non-essential business. Since our staff is now prohibited to gather for work, we are canceling the following programs:

Lunch à la Park programs:

  • Food Trucks
  • Yoga reTREAT (online included)
  • Spring Concerts (originally scheduled to start April 2)

Earth Day LA (originally scheduled for April 22)

The order does allow outdoor activity and recreation, provided that social distancing measures are followed – at least 6 feet distance from another individual. Grand Park grounds are still open to walk, breathe and take a break. Please practice social distancing, and please do not gather in a group of more than 10, as required in the order. Also note, that our playground and restrooms will be closed out of an abundance of caution.

Thank you to everyone who has already been practicing social distancing. Your care for your wellness and the wellness and safety of our community, especially for the most vulnerable, is so appreciated.

We will continue to keep you updated. Stay tuned to our Instagram, Facebook and website for the latest news pertaining to Grand Park.

Take care of yourself, each other, and our beloved Los Angeles.

Siempre con ustedes ❤,


For more information on the current order, visit:


March 13, 2020

Dear L.A.,

There’s a lot going on right now and we wanted to check in. We love you and appreciate you and want to affirm that our commitment to you stays the same: we are here with you and for you. Just like all LA parks, Grand Park is open and our hours remain the same. Our commitment to your safety and wellness remains our top priority and always will. We are taking things one step at a time, day-by-day, attentive to the directives from the LA County Department of Public Health.

Our Lunch a la Park Food Trucks (TUE-THUR) will still continue service, and we are adding hand sanitizing stations near each truck. We are also implementing enhanced daily cleaning and disinfecting practices across the park. Pending weather conditions since it’s been raining, we will have more info about Lunch a la Park Yoga next week.

We know you’re doing your best to stay well, and to keep our community well. We’re here for you.

Estamos con ustedes always ❤,

Grand Park

N.Y.E.L.A. Countdown to 2019 Featured Artists

Aloe Blacc

With the release of his major-label debut Lift YourSpirit, Aloe Blacc moved and inspired audiences across the globe through hispowerful fusion of soul, folk, R&B, and pop. Arriving in 2014, the Grammy Award-nominated album spanned from feel-good anthems like the platinum-selling single “The Man” to intensely charged tracks like Blacc’s acoustic version of “Wake Me Up”—the massive hit he sang and co-wrote for Swedish DJ Avicii, which topped the charts in more than 100 countries. Now at work on the follow-up to Lift Your Spirit, the L.A.-born rapper/singer/songwriter has expanded his emotional terrain to capture an even more personal element of the human experience. “My goal for this next album is to continue with the aspirational songs I’ve been writing for a while now, but add a dimension that’s more focused on love and relationships,” says Blacc. “My own relationship with my family and my wife is so important to me, and I want these songs to give people the opportunity to celebrate the love in their life.”

Raised on salsa, merengue, and cumbia, Blacc fell in love with hip-hop as a kid and started writing rap songs when he was nine. With his lyrics drawing influence from socially conscious artists like KRS-One, he put out his first hip-hop mixtape at age 17. Later developing a fierce admiration for such soul musicians as Donny Hathaway and Marvin Gaye, he also discovered an affinity for folk-rocksinger/songwriters during his college years. “One of the most important factors in my transition from hip-hop to being a singer was listening to people like Joni Mitchell, James Taylor, Kris Kristofferson, and Cat Stevens,” Blacc says.“Their songs are full of emotion that’s expressed in strong lyrics, and that had a big impact on me.”

After inking a deal with indie label Stones Throw, Blacc released his solo debut Shine Through in 2006 and sophomore album Good Things in 2010. Boosted by the breakout success of “I Need a Dollar” (which was selected as the theme song to HBO’s How To Make it In America), Good Things reached gold status in countries around the world and paved the way for his signing to XIX Recordings/Interscope Records in 2012. Made in collaboration with groundbreaking producers like Pharrell Williams, Lift Your Spirit dropped on New Year’s Day in 2014, debuted at #4 on the Billboard 200 albums chart, and earned a Grammy Award nomination for Best R&B Album. 

Looking back on his musical path so far, Blacc notes that landing a deal with XIX Recordings/Interscope prompted a major moment of reckoning, and led him to re-examine his artistic intentions. “When I signed a major-label contract, I recognized the power of having a larger audience, and Ipromised myself that I’d use my voice for social change,” he says. And increating his upcoming album, Blacc has kept focused on making music meant toinspire a positive shift in mindset. “When things happening in the world seemso terrible and dark, it’s so easy to get stuck in all the negative,” he says.“But I try to do whatever I can to help people out of that. I want my music tobe the light.”

Maya Jupiter

Born in La Paz, Mexico to a Mexican Father and Turkish Mother, Maya grew up in Sydney, Australia. It was in Sydney’s Western Suburbs where she first fell in love with Hip Hop. Maya’s love of writing rhymes helped her express her fear, pain, joy and hope as a teenager and later on she realized the power music held in using it as a tool to make apositive difference in her community.  

It is with this ideal that she co-founded Artivist Entertainment, an entertainment company committed to creating and supporting art and music that inspires positive social change alongside Quetzal Flores, Veronica Gonzales, Alberto Lopez and Aloe Blacc. Maya’s Artivism began in her early twenties when she facilitated Hip Hop workshops with underserved youth in Sydney’s south and west, teaching young people how to write record and perform songs. In 2012 shewas an official Ambassador for ‘The Line campaign,’ an Australian governmentanti-violence initiative. 

In Los Angeles she volunteered as a mentor with Peace over Violence’s Youth Over Violence Summer Institute, facilitating a song writing and recording internship around songs that discussed healthy relationships. Since 2014, she has been a spokesperson for their Denim Day Campaign bringing awareness to Sexual Violence and was recognised with the Voice Over Violence Humanitarian Award. Maya is on the advisory board and volunteers with Tiyya as a writing instructor for the Storytellers writing course dedicated to refugees and first and second generation immigrants of Los Angeles and she has co-facilitated a Youth Radio Internship at Radio Sombra, teaching high school students from Boyle Height show to present and produce their own radio shows. Currently Maya is writing new music produced by Quetzal Flores for an album to be released August 26th 2018.

Irka Mateo is a Dominican singer who has managed to bring the sound of her country throughout the world, being one of the precursors of alternative music and the fusion of Afro Caribbean Dominican music. His work is an essential reference and inspiration forthe new generations of musicians. The artist writes contemporary music mixing popular and folkloric Dominican rhythms of Afro / Indigenous / European origin, such as mangulina, carabiné, sarandunga and congos with other Latin Americans and Africans such as cumbia, compa, tango and afrobeat.

 Irka conducted aninvestigation of Dominican folk music for ten years, (1997-2007) in the rural areas of the Dominican Republic, documenting more than thirteen genres of folkloric musical traditions, unknown in the wider Dominican culture and beyond. The Grammy Foundation supported this initiative that culminated in the folk music archive of the Dominican southwest. During this time Irka, with her band, introduced the accordion in the Dominican alternative scene, brought to light the ‘Comarca’, a genre of accordion completely unknown outside the field, and was the first woman to play traditional percussion in urban environments. The artist has performed at venues such as the David Rubenstein Atrium at Lincoln Center, NYC, where she released her most recent album “Vamo a Gozá” at the end of 2017, a production that quickly positioned itself in the ranking of music stations, blogs and music magazines of alternative Latin music and world music. At the beginning of 2018 the artist did a launching tour of “Vamo a Gozá” in her country supported by the Ministry of Culture. Irka Mateo has three (3) albums published “Vamo a Gozá” 2017,”Anacaona” 2009 and “Tres Américas”, Irka and Tadeu Silence Records, 1996, as well as a Dominican folk music archive of 33 hours (2013). She is a guest singer on Magín Díaz’s album “El Orisha de la Rosa”, nominated for the best folk album 2017 in the Latin Grammys.

Georgia Anne Muldrow has earned the respect and admiration of listeners and peers alike via her incredible talent not only as a vocalist and songwriter spanning jazz, soul and hip-hop, but her long standing role as a producer and musician during her 12 year career. “Music is my discipline. It’s my way of meditating, it’s my way of thanking God, it’s my way of communicating… It’s my way of life,” Georgia explains. Typically working alone, her new album flips that dynamic and takes Georgia out of her comfort zone forthe first time since “Seeds” (2003) which was entirely produced by Madlib.“Overload” bears the fruits of numerous collaborations, most notably with duo Mike & Keys (50 Cent, Nipsey Hussle, Snoop Dogg, G-Eazy) who contribute production to four tracks including the sleek, anthemic title track – Pitchfork ‘Best New Track’ on 25 June 2018 – alongside Khalil (Dr Dre).

Georgia was 17 when she began making beats in earnest, but first lit up the scene with her debut album“Olesi: Fragments Of An Earth” in 2006. It was at this time that Georgia met, befriended and collaborated with the likes of Madlib, Oh No, MED (fka Medaphoar), Wildchild, DJ Romes and her future partner Dudley Perkins akaDeclaime. She co-founded the SomeOthaShip Connect record label with Dudley in2008, the platform and springboard for many of her musical travels that have expanded and extended down myriad pathways. Georgia has collected many namesover the years: Ms. One, Pattie Blingh & The Akebulan 5, an electro fusioncollaboration with DJ Romes called Blackhouse and astral jazz outings as Jyoti- a Hindu name given to Georgia by her Aunt Radha’s friend Alice Coltrane (they attended the same ashram) and serendipitously Great Aunt to one Steven Ellisonaka Flying Lotus. “She showed me so much love as a child. She knew I was goingto work with synthesisers before I did,” laughs Georgia.

DJ Day (Damien Beebe) is a DJ, producer and musician hailing from Palm Springs, California. With an illustrious career spanning two decades, he was recently named “Palm Spring’s Finest” and for good reason: His contributions to the various avant-garde music scenes in Southern California run deep. From the historic Root Down parties of Los Angeles to the infamous Do-Over, Day has garnered respect from peers and fans alike for his eclectic, well-executed DJ sets and diverse taste in music. His debut album, The Day Before rose to the top of numerous notable playlistsincluding those of Gilles Peterson (BBC), Jeremy Sole (KCRW) and Philly’s CosmoBaker.

Not content being defined by one craft, he gracefully transitions between being a DJ/turntablist, musician and beat maker; a talent best exemplified by his ambitious release Land Of 1000 Chances. He has toured the world many times over as a solo artist and with fellow musicians Aloe Blacc, Exile and People Under the Stairs. Amongst numerous accolades, he was nominated for Song of the Year awards both by the BBC and The Village Voice and his music has been licensed for commercials by DC Shoes, Red Bull Music Academy, Rane/Serato, and numerous full length feature films. Day recently returned from The Playlist Retreat, an annual, invitation only event at the home of DJ Jazzy Jeff to start work on his next album. Currently, Day is working with Thes One on the management and expansion of the artist collective Piecelock 70 and holds a residency at the renowned Ace Hotel in Palm Springs.


Spiñorita is a Los Angeles-based Xicanx DJ and a radio host on NTS Radio. She is a music lover at heart. Influenced by her family, music has been a part of her life since birth. In 2009, Spiñorita finally followed her passion for spreading good music & picked up some turn tables and a mixer. She holds DJ residencies around Los Angeles, has performed in New York, San Francisco, and Amsterdam and most recently interviewed Chef Roy Choi on her radio show, Casual Play. Spiñorita has roots in the entertainment industry working as a freelance music supervisor by helping choose and license music for short films and documentaries. She is determined to spread good music to anyone who is willing to listen. As long as it has soul, Spiñorita will play it.

Erica aka Ericlandia is a globetrotting dj, producer and music journalist nerd. She’s opened for Beyonce and BrunoMars, played Coachella and Lightning in a Bottle, London, Tokyo, Paris. She has a crush on intersectional remixes and setting vibes. She has set a personal goal of playing all the museums. Her favorite settings are beautiful and/or weird, preferably both and things like silent discos. An open format dj with her finger of the pulse of bubbling genres, you can catch her playing kawaii Future Bass in Japan, Future Soul at the Guggenheim or Afrobeats at Everyday People coast to coast. Erica gets called in to play for Tiffany and Co, Rihanna’s Fenty line, Converse, Nike, Adidas, Tastemade and Soul Pancake and has been featured in New York Magazine, Martha Stewart and Forbes Magazine as a tastemaker. She’s lived in SF, NYC and now calls LA home.

Angel Mercado aka Kronika is a core member and a familiar presence in the Los Angeles music scene. Through her soundcloud mixes (or as she playfully calls them “Mixtures”) and her DJ and A&R positions for Los Angeles based record label/Movement “Soulection”, Kronika has become a trusted source for global audience interested in learning about new artists and overall discovering quality music. Having commanded a wide range of dance floors from major cities in the U.S., to the legendary Low End Theory, SXSW and Jazz Reggae Fest, as well as joining the Swedish band Little Dragon on their 2017 Spring Tour.  Kronika is known for her vast musical knowledge, truthfully nurtured from her early years growing up in the Philippines. Exquisite and Eccentric intaste, Kronika understands and lives artistry. She commands and engages her listeners in a musical journey that “flows like water.” Her transitions are so swift and smooth you forget they are even “transitions.” Kronika’s mixes and live sets are unpredictable. Her energy is contagious, which makes the experience of seeing her live all the more powerful and memorable.

Valia Basalious is 36 years old, of Egyptian and Greekdecent, bi-lingual, Culver City raised, music and business major turned psychology major, fashionista, who is in love with public speaking / hosting /singing and the arts in its entirety.

Valia has been singing her entire life and started to sing with church choirs at an early age. After gaining much-needed confidence, she perused a singing career at a young age that was not as picture perfect asassumed… And shortly after, a modeling career that ended after many years. After many corporate jobs, she decided to follow my true passion in hosting, which landed her the hosting of the 2nd and 3rdannual festival, “Head Wraps in the Park” held at Grand Park! 

2018 Grand Park Downtown Dia de los Muertos Participating Artists and Organizations








Since its incorporation in 1973, Self Help Graphics & Arts has produced over 1,000 art print editions, including 54 Atelier projects and exhibitions all over the world. The organization remains dedicated to the production, interpretation and distribution of prints and other art media by Chicana/o and Latinx artists; and its multidisciplinary, intergenerational programs promote artistic excellence and empower community by providing access to working space, tools, training and beyond. Now, nearly a half century later, SHG continues to foster emerging Chicana/o and Latinx artists through its world-class printmaking studio and supports the role of artists as leaders, both within its organization and the community.

LORE Media + Arts founded by Robert Ramirez is a 15-year-old cultural and specials events production company.  LORE, as well as our newly developing foundation, works with NPO’s, NGOs, private corporations, and government/ civic entities to facilitate opportunities for at-risk people in marginalized communities to connect with professional visual artists and community leaders, in order to create public visual arts-based events that promote positive cultural identity of Latino and Mesoamerican indigenous communities, and to empower participants via scholarships to pursue higher academic achievement, and to encourage civic and neighborhood community building through the arts.


Azteca Danza – Balam Mictlantecuhtli – The Aztec Dancers  will be doing a Dia de los Muertos Ceremonial blessing of the four corners.  North, South, East & West.

Tierra Blanca Arts Center– “Leyendas de Mèxico”

VIVA LA REVOLUCION HIJOS DE LA PELONA: La Mujer en la Revolución Mexicana! It’s celebrating the Revolution in Mexico and along with this celebration we remember during DIA DE MUERTOS the great women in the Mexican Revolution!

We are TBAC, a nonprofit organization dedicated to bringing the art of music, dance and theater to the greater Los Angeles area. Serving the community since 2003, TBAC was founded under the firm conviction that arts and culture have the power to break down the invisible barriers that often keep our multicultural community from truly living in harmony. Our mission is to instill in our community a sense of pride, identity and unity.

TBAC continually works to expand its services by supporting a variety of cultural events year-round. Our performers have showcased their talent in venues such as The Orpheum, The Montalban Theatre, The Downey Theatre, The New LATC and Los Angeles Theater.

Our vision is to reach a greater, more diverse audience. While our focus is Latin American folk dance, we are committed to celebrating Los Angeles’ rich diversity by engaging with like-minded organizations in order to raise cultural awareness.


“For over two decades, Quetzal has been getting down with movements fighting oppression in Los Angeles, Seattle, Havana, Veracruz and beyond. An East LA Chican@ rock group, Quetzal has a unique musical sound based on the incorporation of traditional son jarocho, Cuban batá, funk, Chicano rock, soul, and rhythm and blues. Quetzal’s music is a radical sound project of our times, a project based in artivism (art + activism), and feminist praxis.Since 1993, their sound project has archived their political activism from Los Angeles to Veracruz to Palestine.Their latest album “The Eternal Get Down” (Smithsonian Folkways) extends this project, bringing together a range of instruments to give voice to struggles of resistance, including: the Hammond B3, a core instrument in Black gospel and R&B music; the various instrument of son jarocho, including the jarana, the leona, therequinto jarocho and tarima, percussion instruments such as the Cuban batá drums, chekere, the marimbol, violins, and the moog synthesizer. The instruments do more than produce sound — they channel histories, prayers, lessons, and voices with stories to tell.”(Deb Vargas).

On October 27th, The Quetzal Quartet featuring Juan Perez (bass), Tylana Enomoto (Violin, voice), Quetzal Flores (Jarana, voice), Martha Gonzalez (Vocals, percussion) will bring an intimate sound to the stage in honor of the ancestors.

Grandeza Mexicana Folk Ballet Company (GMFBC) was founded by Jose Vences in September 2003. Currently, Grandeza Mexicana Folk Ballet Company has over 30 dancers and is a non-profit performing arts organization. The company was formed to advance the field of Mexican folk ballet, enhance the public’s appreciation for the diversity and depth of Mexican culture, and to present high-quality dance productions.

With signature pride in the rich national culture, Grandeza Mexicana Folk Ballet Company presents high-caliber dance productions that represent the diverse regions of Mexico. Whether choreographic works depict celebrations, ceremonies, or daily rituals, they are a colorful slice of the flavor of Mexico. Backed by careful research, GMFBC’s choreography is committed to preserving the traditions and customs of Mexico’s historic past and promising present.










Subsuelo is a global bass crew from Los Angeles that experiments with futuristic dance parties and old-school tropical music.  Named “Best Eastside Club Night” by LA Weekly, Subsuelo started as a house party in Boyle Heights back in 2011 and evolved into a weekly gathering where friends get down to cumbia, hip-hop, salsa, house, reggaeton, dancehall, baile funk, kuduro and all kinds of new weird global bass variations.

Directly from the city of hope – Mexico City, Mexico – in the month of March, 2012, the six-man group EL CONJUNTO NUEVA OLA released its first musical production, an album that is sure to make history. A very unique musical collective, one that will revolutionize the recording industry. The first promotional single from their album is titled “CHIDO, CHIDO” (“Cool, cool”) a classic title in the history of tropical music, but one that here takes on a completely different vibe.

The group is comprised of lead singer Urbano López, guitarist Luzio Nava, bassist Primitivo Ríos, percussionist Hipólito Madero, El Tacho on timpani and El Raio Manzares on keyboards. Their mission is simple: bring flavor and get people to dance to the rhythm of cumbia, mixing new wave, rock and disco sounds into hits from various iconic groups like La Sonora Dinamita, to the late Chico Che & Rigo Tovar.

Julio y su Teclado Màgico





It’s true that Irene Diaz captivates every audience with her powerful, soulful voice and heartfelt lyrics. Irene has been playing music since she was 7 years old. Mastering piano and then guitar; but her greatest instrument is her voice.  With no formal training, Irene found singing to come naturally to her.  NPR’s Jasmine Garsd says, ‘You can’t fake the soul and Irene is so believable in her emotion.’ Her Kickstarter backed 2013 debut EP, “I Love You Madly”, showcased Diaz’s musical style and ability to crossover effortlessly into different genres of music ranging from Jazz to R&B to Folk. Over the years Diaz has pushed herself to evolve, combining looping keyboards and drum beats to go along with her shining, standout voice. With new music on the way we will still hear Ms Diaz stretching across genres. There will surely be something for everyone.




Ofelia Esparza, artist and educator born in 1932, still resides in East Los Angeles. Esparza has been associated with Self Help Graphics & Art for nearly 40 years, and is known for her Day of the Dead ofrendas/altars. It is at SHG where she learned and developed a body of work in printmaking, including monotype, etching, and serigraphs, and works in acrylics, graphite, and watercolor and mixed media. Her work reflects her spirituality and her Mexican indigenous heritage. She credits her mother for the influence in Ofelia’s appreciation for the spiritual beauty in the natural world and in the dignity of the people around her. A great portion of Esparza’s work honors womanhood. This is what inspires not only her ofrendas, but most of her art in all its diverse forms. Esparza considers herself a cultural facilitator as an educator and as an artist through the workshops, lectures, and the work she conducts at schools, colleges, and community venues. Most recently, she has been working within the community, with her daughter, Rosanna, conducting workshops for children and adults combining art, culture, and social activism as a vehicle toward wellness and personal empowerment.
In 2018, Esparza was named National Heritage Fellow by the National Endowment for the Arts. Esparza’s work can be found in numerous private and public collections, and has exhibited in and outside California museums and galleries, nationally, internationally, and the National Mexican Museum in Chicago, 2017. CSULA conferred Esparza with an honorary Doctorate Degree of Humane Letters, 2016 and is looked upon as a spiritual elder in her community.

On November 3rd at Grand Ave Arts All Access, Master altarista Ofelia Esparza and her daughter, altarista Rosanna Ahrens will teach an altar workshop about creating elements that go on an altar, using the existing altars, including the Community Altar as context. Participants will learn how to make paper flowers and paper picture frames as ofrendas, or offerings, to add to their own altar.

Indigital Productions/Jeniffer Sanchez












On November 3rd at Grand Ave Arts All Access, Danza Workshops will be led by Jeniffer Sanchez, Los Angeles-based artist, danzante, choreographer, director and producer who began studying and performing traditional Danza Azteca at 9 years old.

Alfonso Aceves

Benedigital aka Ben Encarnacion is a visionary mixed media artist from Los Angeles, CA. He channels powerful visions that transform into mirrors of our own expansion as a collective consciousness.

His mission is to share reminders of the light we hold within that enhance and elevate our reality.His otherworldly digital vision quest is a fusion of cosmic consciousness, mystical experiences and ancient revelations.Channeling his groundbreaking personal experiences by remixing painting and digital graphics.Embracing these practices, ideals and energy, Benedigital’s work is becoming a vital component in the global visionary arts movement and live painting community.

Cal State LA Multicultural Arts in LA Class

LBS 2340-06

Dedicated to the people of Los Angeles

Instagram: @michellelopez777

Twitter: @mlopez777

Celina Jacques – “Los Angelitos”

Dedicated to all the children.

Instagram: @celinajacquesart

Consuelo G. Flores

Amor Enterno

No me movía, estaba quieta, completamente quieta
Tenía miedo de que la navaja me entrara más y otra vez
Sabía que ya había llegado cerca de mi corazón
Ese corazón que estaba tan lleno de suerte.

El amor es trabajo y es difícil y algunas veces puede tragarte por completo.
El amor puede ser un animal que destroza tu consuelo.
El amor puede desafiar, hacer la vida imposible, hacer la vida improbable.
El amor puede ser una flor de papel destrozada por la lluvia.
El amor puede ser un retoño que se encaja al corazón, y crece tan grande, que sus raíces se apoderan y se lo traga.
El amor también puede envolverse alrededor de la espina dorsal, enderezando la vida
El amor puede llenar los pulmones tanto que cada respiración fuerte puede navegar un barco a través de los siete mares.

Veo el camino frente a mí y no sé a dónde va.
Me encojo y suspiro para reunir la fuerza y seguir adelante.

Arriesgo mi consuelo para una esperanza.
He vivido dolores, batallas y verdades mezcladas con esperanza y pérdida.
Quiero dar el siguiente paso, pero las huellas del pasado son demasiadas grandes.
No puedo llenarlas y tengo mis dudas.

Me quedo donde estoy y miro hacia un camino que no tiene destino.
Miro hacia atrás desde donde estoy y no veo pasado, ne siento atrapada en el presente.
Pero los veo y me veo en ustedes, en sus vidas, en sus cuerpos, en sus caras, en el amor eterno que los une.

Las huellas que veo enfrente están llenas de gracia fuerte y tierna.
Soy una mujer en una familia de mujeres fuertes, con lealtad, coraje y corazón.
El amor no tiene condiciones.
El amor no tiene ilusiones absudos.

El amor tal vez sea una respuesta para una vida llena, pero la pregunta siempre es diferente.
Y como ustedes, yo soy la pregunta y la respuesta.

Twitter: @poetaconsuelo

Corazon Del Pueblo – “Death of Colonization; Decolonize”

Facebook: @corazondelpueblo.boyleheights

East Los Angeles Womens Center – “They tried to bury us, they didn’t know we were seeds”

This altar is dedicated to our intergenerational healing, strength, survival and wisdom. They tried to wipe us out, they tried to break our spirit with rape and abuse, they tried to make us forget our traditions and they injected trauma into our veins. But here we are, we have survived, our traditions have survived, we heal ourselves and each other and our spirits continue to blossom. We are survivors, we are wise and we are healing.

Instagram: @elawcyouth

Eden Sanchez

Eric Scud Brenes

German Shepherd Rescue of OC – “Our Beloved Animals”

Honoring our best friends. Dia de los Muertos remembers our pets who gave us unconditional love and companionship. Animals that cross over the rainbow bridge and are at peace forever more.

goeastlos  – “#InstaAltar”

La Catrina, the icon of Dia de los Muertos, journeys back from the dead as she pays tribute and honors forgotten stories of Los Angeles. Follow her on instagram (@goeastlos) to experience the duality of life and death as she explores East LA and beyond. This altar showcases her journey in addition to a collection of stories submitted online that pays tribute to the dead. If you would like a loved one to be honored at this altar, submit your photo on Instagram and hashtag #InstaAltar

Facebook/Instagram/Twitter: @goeastlos

Grand Park – Staff Ancestral Altar

Facebook: @grandparklosangeles

Instagram: @grandpark_la

Guadalupe Homeless Project Proyecto Pastoral at Dolores Mission – “Prisioneros de la Injusticia”

“Porque aunque la jaula sea de Oro, no deja de ser prision….” Dedicated to the men and women who have left their home countries in search of a better life for their families, many times having to leave their families and children behind.

Haydee Jimenez – “Amor Eterno”

To our grandmothers who we love dearly can never be more than a thought away… for as long as there’s a memory they live in our hearts to stay.

Instagram: @moranchel4ever

Born in Mexico City in 1976, Heriberto Luna immigrated to the United States a year after. Of 6 children, he is the second to the youngest. Heriberto Luna comes from a colorful background. His grandfather was one of Mexican revolutionary Emiliano Zapata’s soldiers, and his father was in the Mexican army. His grandmother was a Mayan shaman, fluent in two indigenous languages.

Graduating from Franklin High School, in Los Angeles, Luna was surrounded by gangs but found his salvation at age 16 in the arts. At La Tierra de la Culebra, an urban art park in North East LA, he developed his skills as an earth sculptor and painter. Combined with his passion for performing Aztec dancing as both a dancer and a drummer, the artistic exposure gave him focus and strengthened his resolve to rise above the bad circumstances around him.

During 2002 and 2005 Luna apprentice on major mural projects with L. A’s most influential muralist team the East Los Streetscapers, and artist Paul Botello. Luna met Los Angeles artist Margaret Garcia and in 2002 he apprenticed with her and with New Mexico Master artist Pola Lopez

The result of all that hard work is clear, as Luna has exhibited in over 35 major Museums thus far, among them such prestigious locations as: The Santa Monica Museum of Art, The National Mexican Fine art Museum in Illinois and The Museum of History and Art in Ontario, California. Beyond that, Luna’s works have become part of major art collections at Arizona State University and in 2006 Los Angeles Mayor Antonio Villaraigosa presented him with an award of recognition for his accomplishments in the arts; Luna has also been awarded two artist-in-residence grants from the Los Angeles Cultural Affairs department.

As his art career continues to bloom, Luna remains dedicated to under privilege youths, he is currently teaching arts classes for Theatre of Hearts and serves as a mentor. Heriberto Luna’s success is measurable on many different levels yet what makes him most proud is seeing the young people that he has worked with turn to the community and become mentors themselves. Some have gone on to achieve gallery and museum showings as well.

Withal, Luna’s bold colors juxtaposed with ancient inspiration and strong commitment to the future of his community bring a powerful and profound statement to the art world and beyond.

Homeboy Industries – “Our Dead Are Never Dead To Us”

George Eliot once said, “Our Dead are never dead to us, until we have forgotten them.” Homeboy Industries offers sanctuary, transformation, kinship and community to those that have been forgotten in the margins. As we do for the living, we do for our dead. Your Homeboy Industries family will continue your memory in love, kinship, transformation, and community. May your journey home always be your sanctuary.

Facebook/Instagram: @homeboyindustries

Jaime Zacarias – “Los Angeles”

Dedicated to the city.

Instagram: @Germ_s

Jamie Chavez “Storm Cloud”

Instagram: @stormcloud72

Joan Zeta – “The One Time I Didn’t Get Another Chance/Cuando no tuve ora oportunidad”

The alter is dedicated to all the people who have died due to alcohol and drug addiction. Este altar està dedicado a todos las personas que han muerto debido a la adicción al alcohol y las drogas.

Instagram: @joan_zeta

Jose Chaves “Chavez Art”

Jovenes, Inc.

Instagram: @jovenes_inc

Justice for Cesar Rodriguez – “Cesar murdered by coos for a 1.75″

Instagram: @Eveliiaa1

Las Fotos Project – “Honoring Our Migrant Mamas”

Las Fotos Project’s altar, Honoring Our Migrant Mamas, is a youth-led community memorial centering the resilience of women who have traveled across geographic and cultural borders in search of new possibilities. Featuring photographs of students with their migrant mothers and grandmothers, this altar invites the local community to share their own stories of migration through the eyes of their matriarchs. Participants are welcome to bring photographs, flowers, and other memorabilia to the altar over the course of the installation period.

Instagram/Twitter: @lasfotosproject

Latino Equality Alliance – “Rest in Power / Descansen en Poder”

This altar is lovingly dedicated to honor Gabriel Fernandez (8 years old) and Anthony Avalos (10 years old), youth taken away much too soon due to family rejection. Let us honor them and remind ourselves that prejudice against the LGBTQ (Lesbian, Gay, Bisexual, Transgender and Queer) community exists. What can YOU do to end this violence? #LaFamiliaIsOut #UnconditionalLove #FamilyAcceptance #RestInPower Este altar está dedicado amorosamente honrando a Gabriel Fernández (8 años) y Anthony Avalos (10 años), jóvenes que fueron quitados demasiado pronto debido al rechazo familiar. Honrémoslos y recordemos que existen prejuicios contra la comunidad LGBTQ (Lesbiana, Gay, Bisexual, Transgénero y Queer). ¿Qué puedes hacer TÚ para acabar con esta violencia? #LaFamiliaIsOut #UnconditionalLove #FamilyAcceptance #RestInPower

Instagram: @SomosLEA

Legacy LA – “Youth Justice”

Our participants and staff would like to honor la memoria of all youth who fight for justice. Both those who has lost their lives for justice, and honoring those who are still fighting for justice for community visibility, inclusivity, accountability, acknowledgement, knowledge, and identity. We don’t want to just highlight injustice that our communities experience from police brutality, anti-immigrant sentiments-polices, but demonstrate the love that exist when we unity all brown and black communities of color.

Facebook/Instagram/Twitter: @Legacy_LA

Lucretia Torva is an artist/painter based in Phoenix, AZ — but she  will travel anywhere to paint! She paint on canvas in oils and acrylics and I have acquired an addiction to painting murals! She was born in Peoria, IL. I grew up in Scotland and France because her Dad worked for Caterpillar Tractor Co. It was a great foundation for being an artist as she was able to see and experience some of the greatest art and architecture in the history of Western Art. Seems like she have been painting forever, yet it’s only been 30-some years. She received my MFA from the U. of Illinois in 1982.

Luis Huffington

LURN – “¡Cultivando Trabajo!”

Dedicado a todos los vendedores ambulantes de Los Ángeles.

Facebook/Instagram/Twitter: @LURNetwork

Marcus Pollitz

Martha Carrillo (Heart On Arts) – “Y lo Bailado, quien me lo quita?”

To those we have loved & Lost. For those who know they watch over us & guide us. Que en paz descansen.

Instagram: @heartOnArts

Michael Heralda has presented his culturally educational, musical, and interactive programs, to students and interested listeners of all ages throughout the U.S. since 1995.

Michael has recorded three CD’s that feature music, stories, poetry, and narratives – see MUSIC link for more information.

The stories, ballads, and narratives presented in this program are all true and based on documented accounts of what is termed the oral tradition – stories handed down through families, generation after generation.

Many handmade indigenous styled instruments are used and shared throughout the presentations – clay flutes, Huehuetl and Teponaztli drums, gourd water drums, shakers, rasps, conch shell trumpets, and many other unique instruments
all made from readily available materials giving the listener the understanding that musical instruments can be made from natural elements that surround you.

“Aztec Stories” is an intriguing and thought provoking way to learn about the culture of ancient Mexico and the indigenous Mexika (me-shee-ka)/Aztecs. For some it may be a way to reconnect to a wonderfully rich legacy that unfortunately lies dormant within them, buried for many, many years and generations. For others it may awaken a new understanding of a culture focused on the beauty, art, and high levels of sophisticated philosophical understanding that for many decades were ignored or suppressed.

Miriam Lopez

Moni Perez

My altar is dedicated to the hundreds of people that die due to cancer at the hands of systemic oppression.

Instagram: @lamoniperez

ni Santas – “jaula de oro”

we want to honor children who go through the harsh challenges of crossing the border . we recognize the struggles children go though to find a better life only find themselves in the dangers of crossing the border ,ending up in ice detention centers and worse yet passing away all while making the journey to the Jaula De Oro (golden cage) a symbol for what seems to be the American dream for most immigrants

Instagram: @ni_santas

Noemi Basquez

Ballet Folklorico Nueva Antequera was founded by Miriam Lopez and Raul Cortez to promote and spread the Oaxacan culture in LA.

Office of Supervisor Hilda L. Solis 

Facebook/Instagram/Twitter: @HILDASOLIS

Osvaldo Cervantes


Pacific Oaks College – “Celebrating All Families”

Celebrating different types of families from all backgrounds!

Facebook: @PacificOaks

People For Mobility Justice – “People for Mobility Justice”

A space to celebrate love and dignity in transportation and public spaces

Instagram: @peopleformj

Rachel Hoye


RAH Azul is a Painter, Muralist, Poet and Aztec dancer in the San Fernando Valley 818 area.

RAH Azul Artista, Muralista, y Poeta desde Los Angeles, CA


Riders of all motorcycles that have been taken, as they now rider in the clouds.

Instagram/Twitter: @RAZARIDER

Dario Guerrero, creator of the new documentary ROCIO, is an undocumented Harvard graduate. His story first received national attention in September 2014 when he published an essay in the Washington Post titled “I told Harvard I was an undocumented immigrant. They gave me a full scholarship.”

Following up on this story, a Telemundo news crew reached out to Dario and found him living in his grandmother’s home, some 3,000 miles away from school in the crime-ridden, massive slums of Nezahualcoyotl just outside Mexico City. Dario’s story again made national headlines, this time under the guise of “Harvard student took his dying mom to Mexico, now he’s not allowed to leave.” This is the subject matter of the present film. This is the story of ROCIO.

Dario also co-directed 2013’s A Dream Deferred with college roommate Alex Boota, a documentary following several undocumented Harvard students as they apply for Deferred Action for Childhood Arrivals. Funded by the Harvard Law Documentary Studio, it was a Regional Finalist in the Student Academy Awards.

Robert Ramirez


Rosanna Ahrens


South Central Farm – “La Procesiòn”

Our altar this year is dedicated to you, to us, to our community and to all who need to be reminded of where we came from. To all the land protectors who are fighting to protect our basic right to exist and live with justice and dignity. Whether you believe in the spirits or not, we all came from the earth. We all came from darkness. We all sprouted from a spark. A spark of love, a spark of light and with some warmth, with some sustenance, we blossomed to the beautiful beings we are today. The altar serves to reflect on the procession of life. How we rise and how we descend. And for those of who doubt we can come out from the darkness we may find ourselves in, look to the spirits and look to the earth to remind yourself that you too can resurrect. The altar is composed of earth elements ascending from the darkness. Seeds, water, blossoms and fruit follow the light out of the earth where they shall one day return, only to rise again re-nurtured, resilient, and reborn. “They Tried to Bury Us, But they Didn’t Know We Were Seeds”

Instagram: @Southcentralfarm


Dedicated to our relatives in Yemen

Facebook/Instagram: @swanalosangeles

Youth Justice Coalition – “We Are Not Targets”

The Youth Justice Coalition’s altar honors 851 people killed by law enforcement in LA County between 2000 and 2017. The Los Angeles Police Department and LA County Sheriff’s Department have – for many years – led the nation each year in use of force deaths. For the past 150 years, Los Angeles County has also led the nation in harsh policing, jailing and incarceration, and has established many of the policies on criminalization, suppression and deportation that have swept the nation and the world. Policies and procedures that came out of LA include the: (1) Militarization of police (first SWAT units, first use of helicopters, first use of army tanks against domestic populations, and build-up of the nation’s largest domestic arsenal of weaponry and surveillance technology; (2) Longest, most deadly and most costly history of community uprisings – all either attacks by law enforcement against civilian populations, or communities protesting police violence; (3) Political rise of Richard Nixon and creation of the “war on drugs;” (4) Political rise of Ronald Reagan, globalization, deindustrialization, and expansion of the war on drugs while also using drugs to fund and arm counter-revolutionary dictatorships in Central America; (5) Creation of world’s first “war on gangs” including the first gang databases, gang injunctions and gang definition; (6) Nation’s first anti-immigration policies; and (7) the Nation’s first school police departments, daytime curfew (truancy) laws, and first build up of a security culture in and around campuses that caused public schools to look and operate more like prisons, the first application of zero tolerance policies for student “discipline,” all of which led to the national creation of a school-to-jail-track that caused massive suspensions, expulsions and arrests of youth of color. We build our altar to remember all those impacted by these policies, that battled against this state violence for generations, that lost their lives behind the bullets of police, and those young people we buried too soon. Join the movement to STOP THE $3.5 BILLION L A JAIL PLAN, and fight for a just Los Angeles and California, and a future for our families and communities beyond incarceration or death. Contact us at: [email protected]; Facebook: Youth Justice Coalition; Instagram @youthjusticeLA

Facebook/Instagram/Twitter: @YouthJusticeLA


2018 Big L.A. Portrait Gallery

For the second year, Grand Park transforms into a nighttime art gallery featuring photography by L.A.-based artists projected to 100 feet wide by 100 feet high on the south wall of the historic L.A. County Hall of Records. Built by famed architect Richard Neutra, one of his few high-rises, this iconic modernist building serves as the perfect canvas for larger-than-life artwork. Featured images will tell stories and share visions of L.A.’s future as envisioned by some of the county’s best photographers. Park-goers can enjoy the exhibit over a picnic, view the gallery during their nighttime commute or take in the images during a stroll through the park.

Featured artists:

Aly Aliano
Real Mother
Real Mother is a personal project I began when my twins, Hallie and Ellison, were 9 years old. I married their father when they were five. I was instantly a parent at age 26. I did everything I thought a parent did: dentist appointments, parent-teacher conferences, playdates, sleep-overs, etc.  People would ask, “Aren’t you going to have children?” Implying that as a stepmom, I was not a “real mother.”

I began photographing any mother who would allow me into their world and share their story.  With Real Mother I attempt to raise questions such as, “What makes a mother? I seek to understand my own experience as a mom and my own legal emancipation from my mother at 19.  I hope that all mothers will have the support of their employer, family, healthcare, accessible education for every child, and paid family leave. My intention is that this project raises awareness and understanding around the many forms a “Real Mother” can take.


Emily Shur
Nature Calls
Emily Shur started Nature Calls in 2009 when she first noticed strange looking trees here and there. Little by little, these poor excuses for foliage were slowly infiltrating her day-to-day scenery, until she ultimately found out they were disguised cell phone towers.

Emily set out to create a document of these objects within the genre of classic landscape photography. Her intention was to photograph through the eyes of an explorer. She imagined Edward Curtis roaming the American West armed with nothing but a camera and a tripod. So, that is what she did…except she roamed in a Prius. During the documentation process, it became clear that she was also documenting technology, and how it changes our lives and now has begun to change our landscapes.


Gizelle Hernandez
Underrepresented Glamour
The following subjects are all people of color who work in LA’s creative industry.

As a fellow person of color, I find it important to highlight, connect and collaborate with other like-minded creatives.

Their concern for inclusion and culture have drawn me to them and their individuality and vibrancy are at the root of these photographs. Each artist has a strong sense of who they are and where they come from, and I was inspired to create environmental portraits based on their bold sense of self and style.


Gregg Segal
Daily Bread
When I was growing up, 1 in 40 kids were obese. Today, it’s 10 in 40. For the first time in many generations, life expectancy is declining. Unfortunately, we have outsourced making our own food, this essential part of our lives, the connective tissue of families and culture. There’s an old adage: “The hand that stirs the pot rules the world.”Well, the hand stirring the pot is more interested in profit than in our health. It’s time we take back food by stirring our own pots and demanding healthier options.

In shooting Daily Bread, I ask kids to journal everything they ate for week and at the end of the week, I shot a portrait of them with their food arranged around them. I started shooting in my backyard in Altadena and expanded to include kids from other LA neighborhoods, and the whole world.


John Francis Peters
The Young Visionaries of Los Angeles

One of the most defining aspects of movements like March for Our Lives is the unbreakable passion and resolve today’s youth have in facilitating change that will build a better future for us all. In his series, The Young Visionaries of Los Angeles, Peters photographs 4 young leaders in the Los Angeles area that are working hard to administer a brighter tomorrow.


Matthew Scott
The Concrete River
The concrete River, a.k.a. The Los Angeles River, follows roughly 48 miles, weaving through the urban sprawl and diverse neighborhoods of LA.

The images featured are from a stretch known as the Glendale Narrows, located in Northeast LA. It runs through Atwater Village, the edge of Elysian Park and Glendale. Like most sections of the river, it allows you to escape the city without leaving your neighborhood;  simply hop a fence and walk down the concrete embankment.


Melodie McDaniel
Daring to Claim the Sky
Compton Jr. Posse is an organization that was created to provide a year-round after school program for inner-city youth using equestrian activities to inspire young people to reach personal, academic and career goals. This was a powerful alternative to the equally powerful lure of gang and drug lifestyles. Under the leadership of founder Mayisha Akbar, the Compton Jr. Posse has given inner city kids hope for over 29 years by teaming them with horses. Many of the students go on to earn scholarships to colleges and universities.


Philip Cheung
Predictive Policing in L.A.
The future of surveillance has arrived on our city streets. L.A. has a new observer, the all-seeing, never forgetting eye of the LAPD—who attempt to use the past to predict the future. Backed up by new data technology and an internal culture of organized tracking, the LAPD now uses predictive policing to identify where potential criminal activity might happen, and, troublingly, who might commit these crimes. The LAPD keeps their methods and algorithms close to their collective vests, but in an attempt to record this invisible web of surveillance, photographer Philip Cheung photographed neighborhoods in South LA where predictive policing programs are known to be in effect.


Ryan Schude
Them & Theirs
Them & Theirs is an ongoing portrait project about people and their vehicles. Starting in 2001, I found subjects by placing notes on parked cars I found interesting and wanted to know about the people who drove them. Collaborating with the owners, we would find a location, props, and wardrobe that told a story about the relationship between them and their preferred mode of transportation.


Sam Comen
Newest Americans
Los Angeles is a city of immigrants. And just as the dreams of past generations of immigrants built the Los Angeles of today, so too will the dreams of today’s immigrants shape the future of our city. Through interviews and photos, Newest Americans explores the dreams and stories of 28 immigrants who came here from all over the globe in search of a better tomorrow.

The full exhibit is on display at The California Museum in Sacramento. Photographs by Sam Comen and reporting by Michael Estrin.


Spencer Lowell
Future of LA Technology
Los Angeles perpetually exists in the future. As a city that constantly reinvents itself, it’s fitting that it would be a hotbed of invention. From drilling and refining oil at the turn of the 20th century, to discovering the Big Bang in the 20s at Mt. Wilson, to developing robots to send to Mars at the turn of the 21st century at JPL in Pasadena, LA is more than sunshine and traffic.


Walter Thompson-Hernandez
Blaxicans of L.A.
This series of photos presents people in Los Angeles who identify as “Blaxicans.” As the city of Los Angeles and the United States continue to become increasingly multiracial, multiethnic, and multilingual, this series highlights the experiences of Blaxicans throughout Los Angeles as ways to think about the future.


Music playlist by: SeanO
Sean Osborn has been behind turntables since 2006. He cut his teeth at the Scratch DJ Academy and then honed his skills as the resident DJ at The Whisky A Go-Go.

After spending some time throwing one off parties and doing guest DJ sets at various clubs around the country, Sean soon found himself the co-host and producer of Soundwaves Radio, which airs 2-4am early Saturday mornings on 90.7FM KPFK Los Angeles.

His other radio show, The Treehouse, can be heard every third Monday of the month from 4-6pm (PST) on

He is the co-producer for the monthly soul showcase Devil’s Pie at Lock and Key and can also be seen each and every Friday night at The Shortstop in Echo Park for DOIT as well as Saturday night at The Perch in downtown Los Angeles.

NYELA 2018 Featured Artists

We have an amazing list of artists to help bring in the new year.

Featured Artists

Dexter Story and the All-Star New Year’s Eve Band, featuring Raquel Rodriguez, Jimetta Rose, Kenneth Crouch, Kam Talbert, and more

Dexter Story is a multi-instrumentalist, composer, arranger, songwriter, producer, and music director. After earning an undergraduate degree at UC Berkeley and performing with a diverse array of musicians including Wynton Marsalis, Ravi Coltrane, Ernie Watts, John Stubblefield, Slide Hampton, Jeff Narell, Kamasi Washington, Gaslamp Killer, Nick Rosen, and Les Nubians among others. His latest and most notable endeavors are music directing Summer 2015’s stellar Wattstax Revisited and Summer 2016’s Soy Africano concerts at Grand Performances, and producing Gilles Peterson’s Brownswood Recording artist Daymé Arocena’s acclaimed album Cubafonia.



Eclectic Soul singer born and raised in Los Angeles, Raquel Rodriguez and crew deliver music with a soulful, gritty groove that people love to dance and party to. Commanding the stage, Raquel’s live show is engaging and a crowd favorite at clubs and festivals across the country. With a potent blend of femme and aggression, she serves up sassy, heartfelt vocals which caught the ears of artists like Nigel Hall (Lettuce), Adam Deitch (Lettuce) and Borahm Lee of Break Science, Moby, as well as LA’s very own, Anderson .Paak. You can catch Raquel with Paak on his Cover Art album as well on his summer ‘Malibu’ tour. You may also recognize her as one of the fiery singers gracing the stage with him everywhere from Coachella to the Late Night Show starring Jimmy Fallon. The LA soulstress has also received airplay and support from music and culture tastemaker Garth Trinidad, DJ at top ranking NPR station KCRW and music editor for LA Canvas.  Her recent release, The 310, produced by Nigel Hall and Sam Brawner is now available everywhere!

Los Angeles native, Jimetta Rose has become a mainstay in the Los Angeles independent music scene while simultaneously digging firm roots into LA’s burgeoning creative renaissance drawing inspiration from jazz, R&B and Hip-Hop. One word that embodies Jimetta’s complex and mesmerizing sound is: SOUL. With her talent, style, and dedication to unfiltered creative expression, it should come as no surprise that Jimetta Rose counts among her friends and colleagues, many of the most popular artists and Dj’s in the Los Angeles music scene and abroad, which include Miguel Atwood Ferguson, Med and Blu, The Decoders, Alice Russell, Talib Kweli, Meshell N’Dgeocello, Erykah Badu, Joi Gilliam, Shuggie Otis, Zap Mama, Seu George, Shafiq Husayn, Dj House Shoes, and many more.

Born in LA, Kenneth was classically trained as a child, and in his teens broadened the range of his keyboard skills by embracing both gospel and jazz influences. Influenced by artist such as his uncle Andrae Crouch, Herbie Hancock, Joe Zawinul and Bill Evans, he embarked on his musical career at the age of 15. As well as recording with Eric Clapton, over the years Kenneth has gone into the studio with many prominent artists, including The Temptations, Toni Braxton, Lenny Kravitz, Nancy Wilson and Vanessa Williams. He has appeared live in concert with Earth, Wind & Fire, Chaka Khan, Babyface.

Kam Talbert also known as “KamPAIGN” is a performer with multiple talents. He has a countless number of projects as a vocalist and singer collaborating with local Los Angeles artist, international artist, producers, and even well-known stars. Kam is also a playwright helping to write and produce an original musical called “The Museum of Living Art”. A project that was a collaboration with Jimetta Rose & Nappy Nation Productions. KamPAIGN is currently a curator of music and video for artist community, an online production company founded and run by Joseph Gordon Levitt.

You can currently hear Francesca Harding over the airwaves as co-host, producer and DJ on Los Angeles’ 90.7FM KPFK for Soundwaves Radio. Her Dj mixes have been featured on Jay Z’s blog, Life and Times as well as the El Sonido show on Seattle’s 90.3 FM. Francesca has spun internationally for crowds in the UK, Mexico City, Colombia, the Bahamas and South Korea, and regularly works for corporate clients in the Los Angeles area, including Numark and Elle Magazine.

Most recently, Francesca joined forces with L.A. based Dj-duo, the Beat Ventriloquists, to form a production collective called “Wear Patterns”. The trio has thus far released two singles that have garnered worldwide radio play and have graced the pages of LA Weekly, Earmilk, Large Up & Discobelle. “Wear Patterns” is set to drop their self-titled EP in spring 2018. With a broad taste in music and impressive technical skills, it is no surprise that Francesca Harding continues her reign as one of the most sought-after Dj’s in LA and beyond.

Born in Fresno, California and raised in Bakersfield, Mr Choc’s success comes from a lifelong passion for music. In 1995, he was picked up by Los Angeles’ Power 106 and broadcast in three cities and during his seven-year tenure, the station had the number one mixshow for three consecutive years.

In 1996 Choc became a member of the Beat Junkies Crew (Rhettmatic, Melo-D, Shortkut, Babu), one of the most respected DJs crew in the world. Gaining membership in this exclusive crew had a profound impact on Choc: “it showed me that despite everything I had learned in DJing at that point, there was still a lot more to learn. It also made me love my craft a little more because I was finally surrounded by people who understood it and loved it just as much as I did.” Today, as Director of Scratch-LA, Choc imparts his knowledge on to hungry and eager students. He also continues to hold down multiple residencies and parties throughout SoCal.

 DJ Babu – a member of the acclaimed Dilated Peoples and the Beat Junkies, this world renowned DJ is more than accustomed to feeling the expansive power of music at his fingertips. Winning countless DJ competitions in the 1990s such as the DMC Championship in 1997 and multiple ITF titles, Babu has gained the nickname “The Turntablist.” It couldn’t be more appropriate.

Now one of the most respected names in the world of DJs, the battle hardened Babu has set his sights on producing. “I’ve been going through a transition over the last three or four years into the producer realm, the beat making realm. It’s something that I’ve definitely been growing and nurturing over the years. I’m trying to bring my DJ fan base along to realize that I’ve been flipping beats and breaks and chopping up samples for years on the turntables, now I tryin to show ’em I do that in the studio too. I’ll always maintain my Dj career but lately I’ve been trying to flood the scene with my beats to make people take me seriously as a producer.”

D’Lo is a queer/transgender Tamil-Sri Lankan-American actor/writer/comedian whose work ranges stand-up comedy, solo theater, plays, films and music production, poetry and spoken word. He is a co-producer for DisOriented Comedy (mostly female Asian-American nationally touring stand-up comedy showcase) with Jenny Yang and Atsuko Okatsuka.

The documentary by Crescent Diamond based on D’Lo’s life/work, called Performing Girl, won the best short documentary award at Outfest 2013, and he was part of the Emmy-Nominated mini-doc series THIS IS ME produced by Rhys Ernst and Zackary Drucker. His tv/film credits include co-starring in the HBO series LOOKING as Taj, on the Amazon series TRANSPARENT and the Netflix series SENSE 8.

Aside from touring and facilitating workshops on the university/college circuit with D’FaQTo Life (defacto), D’Lo has also been touring his solo shows. His first solo show, Ramble-Ations: A One D’Lo Show (dir Adelina Anthony) received the NPN Creation Fund Grant inclusive of residencies in 9 US cities with additional support from the Durfee Foundation Grant, D’FunQT. His full-length stand-up storytelling show D’FunQT (defunct), directed by Steven Sapp of Universes in NYC (Ken Sawyer in LA), has toured internationally (SF, NY, Manchester, UK and 7-city tour in India and Sri Lanka – with additional funds received by through the Ford Foundation travel grant to host workshops for queer & trans theater artists in Chennai, India).

After a sold out 3 weekend run in NYC in the summer of 2017, D’Lo is continuing to develop his latest solo show To T, or not To T for a world premiere in Los Angeles. His work has been published in various anthologies and academic journals, including: Desi Rap: Hip Hop and South Asia America and Experiments in a Jazz Aesthetic (co-edited by Sharon Bridgforth) and Troubling the Line: Trans and Genderqueer Poetry and Poetics.

D’Lo is the creator of the “Coming Out, Coming Home” writing workshop series which have taken place with South Asian and/or Immigrant LGBTQ Organizations nationally, which provide a transformative space for workshop participants to write through their personal narratives and share their truths through a public reading. These workshops are specifically designed to provide emotional and spiritual support for individuals working through the complexity of their intersecting identities.

The LA County Library Turns the Tables workshop series had its start at the Compton Library in February 2017, as a Library Services and Technology Act grant program funded by the Institute of Museum and Library Services (IMLS) and administered in California by the State Librarian. Compton Turns the Tables offered teens and young adults the opportunity to learn DJ skills for free. Open to student ages 15 to 21, “Compton Turns the Tables” brought a series of ten DJ classes plus a mobile DJ lab to Compton Library.

Led by instructor DJ Lynnée Denise, a professional DJ and professor at Cal State LA, the workshop allowed students to gain hands-on experience with DJ controllers, while augmenting DJ training with instruction in music history, basic theory, techniques, developing a DJ business plan, including marketing and promotion. The course concluded with a concert and showcase that celebrated the students’ achievements and featured celebrity performers. Its overwhelming success led to the approval of additional funding from LA County’s Fourth Supervisorial District office and South Whittier Turns the Tables, held at the South Whittier Library, finished up workshops with a showcase held on November 18. Next in line is San Fernando Turns the Tables, scheduled to begin on January 12, 2018 and East LA turns the Tables to follow in late spring or early summer. Student DJs from Compton Turns the Tables and South Whittier turns the Tables have been given the opportunity to perform their skills at the LA County Library Staff Development Day, a special event held at the John Anson Ford Amphitheatre, and the grand openings of LA County Los Nietos and Artesia libraries.



5 years together…

Summer 2017 marks the fifth anniversary of Grand Park, “The Park for Everyone.” In just five years, Grand Park has embodied its slogan and become L.A.’s crossroads, town green and communal backyard. Every year, hundreds of thousands of Angelenos and visitors pass through this special place. They come to capture serene moments in their workweek. They come to splash in the fountain with their families. They come to dance, eat, watch, move or create at one of Grand Park’s hundreds of free events. They come to march and let their voices be heard. They come to ring in the New Year surrounded by fellow Angelenos.

Anniversaries are occasions to reflect back on the memories and the journey. Grand Park’s journey is a story of a million Angelenos who believed in it and have shaped it and made it their own. The Big LA Portrait Gallery is a thank you to those Angelenos. THEY are what has made Grand Park the success that it is.

The Big LA Portrait Gallery is modeled on the National Portrait Gallery in Washington D.C. whose mission is “to tell the story of America by portraying the people who shape the nation’s history, development and culture.” At Grand Park, we are celebrating part of the story of Los Angeles, stories of its people. It is their passion, creativity, humanity, humor, commitment, and diversity that make Los Angeles such a wonderful place.

The 100 portraits of Angelenos were shot by 10 Los Angeles photographers, each asked to capture their L.A. For some the portraits are centered around place such as Sam Comen’s Central Ave. For others, they reflect communities of shared interest such as Joe Pugliese’s Sunday’s Best. These ten series show just a few of L.A.’s thousands of distinct groups all connected to each other in different, powerful, and meaningful ways.

Grand Park was created to be a place of connection and this project honors and celebrates our unique interconnectedness and the vibrant and powerful fabric of L.A.. Thank you Los Angeles for making the first five years so wonderful. Here is to many more!

-Julia Diamond

Interim Director, Grand Park

In the spirit of Angeleno expression, Grand Park reached out to the photographers to pick their brains about their experiences as photographers and artists in Los Angeles.

How does Los Angeles inspire  you as a subject for photography?



I shoot where I roam. I roam Los Angeles. Mostly east of the river and downtown. But I’m moved by all of Los Angeles, its complexity. It has never ending pockets, layers of human individuality in constant flux.

-Rafael Cardenas



I’m inspired to shoot in Los Angeles because it always seems to be at the frontier of history. This place is in flux, always on the verge. Nothing is static: and that’s incredibly interesting to photograph. I think it comes down to the myriad communities that call LA home — we’re reinventing the city as we reinvent ourselves.  It’s exciting to be part of LA, and to make photographs that examine it’s constant evolution.

-Sam Comen




The light in Los Angeles is hazy and lingering making for endless inspiration.

-Jessica Sample




LA inspires me because it is a place of seekers; they’ve come to realize a dream, however illusory. It’s a land of fantasy and escape, of Peter Pan’s staving off adulthood, compromise, the drudgery of insignificance. Most won’t see their name in lights. And the inevitable let-down and disappointment that comes with falling short – sometimes way short, brings pathos into the picture. Sometimes the dreamer finds that it’s ok that things didn’t quite work out as anticipated. They find another path that may not be grand, but nonetheless brings them satisfaction, a feeling of value.

-Gregg Segal

Los Angeles has always inspired me, from long before I knew it as a place that existed in reality. When I arrived here as a young adult it took years to reconcile the city in my mind and in my eye. It revealed itself slowly to be different from the one I knew as a setting and a backdrop for so many works of music, film and fiction. In the actual Los Angeles, I found a much more diverse and exciting collection of character and spirit than is often seen from the outside. Even now after so many years photographing the people of Los Angeles, I am still only beginning to discover what and who this city is made of.

-Joe Pugliese

LA is known as the entertainment capital of the world, but to me it’s so much more that that. When you dig a little deeper you find all these hidden gems that are underrepresented in the media and these are the kinds of stories that inspire me the most about this city. 

-Jessica Pons

The Big L.A. Portrait Gallery is part of an awesome summer of free fun. 

Our L.A. Voices found in PUBLISH! Deconstructing Emily

This weekend’s Downtown Bookfest was ah-mya-zing. showcasing over a dozen literary partners and activities, performances by some of L.A.’s best emerging and established writers, artists and musicians, and the beautiful balmy weather added jelly to the proverbial toast.

As you sat on the park’s fabulous pink furniture, Peter, Jessica and Douglas of Writ Large Press gave a quick lesson on how to work a vintage typewriter and you were released into the writing wild – stamping letters, words, and lines with the intent of deconstructing Emily Dickinson’s poems, and creating something new.

Over ONE HUNDRED poems were written Saturday afternoon in Grand Park by Angelenos of all ages and backgrounds, here are the works – published, signed, sealed and delivered:

Big ups to the Writ Large team, the City of Los Angeles Department of Cultural Affairs for providing free copies of Emily Dickinson’s works and all Downtown Bookfest partners for helping make Grand Park’s Downtown Bookfest a feel-good, inspiring day of unleashed OUR L.A. VOICES!

About Writ Large Press

Writ Large Press is a DTLA based independent press founded in 2007. In addition to publishing unique literary titles, Writ Large Press is dedicated to challenging the role of the book to engage community and respond to the times through three ongoing project: Ghostmakers, a book that was written, presented, and destroyed through the course of 2015; Publish!, a community writing and publishing project; #90X90, 90 consecutive days of literature as resistance. #ResistanceIsLit


PUBLISH! is our ongoing participatory, community writing and publishing project. Kicking off in 2013 in the Old Bowery Subway Station in NYC, PUBLISH! has traveled from art galleries, to train stations and parks, engaging writers, new and experienced, in DIY publishing through the use of typewriters, speech-to-text software, broadsides, Instagram, and mathematical equations.

Publish! is about more than writing a poem. It is about more than a book. It is about you. It’s about authoring your own narrative. It’s about owning your own stories and sharing them with your community through the act of publishing.


PAPER AIRPLANE Takes Flight in Grand Park



Yay! The Paper Airplane shade structure has landed in Grand Park!

An example of public art with a practical purpose, the structure can be moved and relocated to “take flight” in any area of Grand Park.

Dean and Elenita

Artists Dean Sherriff and Elenita Torres came up with the concept of the giant paper airplanes, and after a public vote, Los Angeles agreed that their concept would be the one to take flight to make A Cooler Grand Park.  Each plane represents one incorporated city in Los Angeles County and in its entirety, represents the 88 incorporated cities in the County.


Canvas Specialty’s engineers and industrial designers took the artists’ concept, then created the airplanes and structure and brought the concept to flight.  This project was fabricated in East Los Angeles and took six months to complete from concept to installation.


This inaugural public art project in Grand Park would not have been possible without the support of the Goldhirsh Foundation’s My LA2050 Grants Challenge.

BTW If the inspiration hits you and you have an idea for a better L.A., this year’s My LA2050 Grants Challenge is up and running! Propose your vision by OCT 4.